Poetic Wednesdays

By Shehu Mubarak Sulaiman

“I believe that the best learning process of any kind of craft is to look at the works of others” – Wole Soyinka

About a month ago, I woke up to a message on my Facebook Messenger. I was perplexed as to why a message would come in that early. It was dawn, and the skies had not brightened significantly enough for the layman’s morning to be declared.

The sender was someone who had once informed me of his interest in poetry. He had slid into my inbox a couple of months ago, and had registered his love for my writings, after which he requested that I mentored him.

Without wasting much time, I had introduced him to Poetic Wednesdays Initiative and urged him to follow-up on their activities. I had also introduced him to similar platforms, like the Poets in Nigeria Initiative Facebook Group.

 A week later, I sent him a flyer for a forthcoming workshop and asked him to register. The workshop was organized by Poetic Wednesdays Initiative, and was to be facilitated by top-notch poets: Umar Abubakar Sidi and Dr. Ismail Bala. To cut the long story short and hit the nail on the head, Abdul-Rahman Jafaru Wali, a medical student of Ahmadu Bello University, Zaria was the person in my inbox.

He had messaged me that early to inform me of his emergence as one of the ten winners of the recently-concluded “The Nigeria I See” poetry competition organized by MOP (Movement of the People). His feat had come just about a month after he had registered for a workshop organized by Poetic Wednesdays Initiative.

That is a practical portrayal of how much of a platform Poetic Wednesdays Initiative is, one does not come and leave empty-handed.

For three years now, I have been approached consistently by people slightly younger or even older than I am. Their solicitation has over the years lost every element of surprise. Whenever I receive a message from a stranger on Facebook, half of the time, it’s about poetry writing or writing pertaining to other genres of literature.

The question had always been the same from all of these people. They keep asking: “How can I learn poetry?” This is such a difficult question to answer, as there is a never-ending debate about whether poetry writing is an innate or a learnt skill.

Regardless, I refer back to Wole Soyinka’s quote about learning the craft of writing; how it relies heavily on imitation, and Poetic Wednesdays Initiative had always been my first recommendation for them.

First, if the advances are offline, I will ask them if they have a Facebook account. And if they answer in the affirmative, I’d urge them to like the page, and submit poems of any quality every Wednesday of the week. Over the years, I have lost count of people I had introduced to this platform.  Some of them have now grown to become a significant fraction of the finest writers that we have around.

The journey of these wonderful poets and wannabe poets reminds me of my own journey. I had started just like them, a newbie, and a sprouting seed.  In the concluding months of the year 2016, I had grown tired of talking about my dream of becoming a writer. The more I talked about it, the more I felt like a fraud, my impostor syndrome was becoming more and more intense that I had contemplated giving up writing altogether.

I was at the crossroads, one road led to an Eldorado of a life I had always made up in my head; the fantasies of what a celebrated writer’s life seems, and the other led to a path of giving up, a one-way route to despair.

Being a science student was more than enough deterrent already. I talked to a friend who had graduated from the university a year before me and who I believe had more life experience than I. He spoke of his friend called Salim Yunusa, who has founded this small literary platform that aims at nurturing young talents in literary-inclined endeavors.

I talked to Salim Yunusa and he introduced me to a platform called Poetic Wednesdays, that was before it became Poetic Wednesdays Initiative. It was the newly-founded platform of his. I had written a couple of poems before then, but I had posted none, they were all in my phone’s notepad, longing to be seen.

So, all I did was waited for that fateful Wednesday before making my entry. My poem was handpicked and afterwards posted on the page. I followed the poem up, and relished some of the praise-coated comments. That was my first official encounter with poem writing.

As time went by, submissions from me became more and more regular. I enjoyed every bit of it; the praise, the feeling of having written something someone else enjoyed reading. Amidst all that nursing school monotony, consistent memorization, and voracious reading to stay afloat, I found an escape.

I had started to look forward to every Wednesday, it felt refreshing reading through poems on the page, and sometimes using them as a blueprint to craft mine. I started to make friends online, Facebook transfigured from a place where I come to catch up on viral gossip, or post pictures, to a place where I have direct contact with intellectuals and like minds. My time online started to become more of an educative endeavor rather than a fun-seeking one.

Weeks passed by and I had started to play with different themes, I had become a favorite on the platform. People looked forward to every Wednesday, so they could catch a glimpse of my poem and savor all its flavors. I had copied styles of poets like Maryam Gatawa, Salim Yunusa, Sani Ammani, Nasiba Babale, and a host of others, before I had come to find my feet.

In 2018, there was a literary hangout somewhere in Ahmadu Bello University, Zaria organized by this selfless platform. We dined, and recited poems for the relish of fellow poets and literature lovers present. We had a swell time. In 2019, I rendered my masterpiece titled “I AM NORTH” at one of Poetic Wednesday Initiative’s get-together at Kongo Campus, Ahmadu Bello University, Zaria.

It is the reception it received that had led me to promoting it on different platforms. The video of the poem was played at the 2020 edition of the Nigerian Students Poetry Prize event that held in Lagos. The written form of the poem was published on Daily Trust Newspapers, Yasmin El-Rufai Foundation official website, and other notable platforms in Nigeria.

The creatively titled essay of Sa’id Sa’ad “Poetifying the North” is not a coincidence. I particularly love the witty coinage of the word ‘Poetifying’. Indeed, the North has been ‘Poetified’.   Today, in northern Nigeria, as opposed to the nearest past, there is a resurgence of literary activities and discussions like never before. There has been a fast-rising awareness of what literature stands for, and many have continued to embrace it.

Virtually all the states in northern Nigeria have one festival or the other, celebrating literature and further educating young minds on the importance of both literature in English as well as in other indigenous languages. This is not to say that the region had always been dormant in the realms of literature and arts, that won’t be fair to a region that has produced notable writers like Helon Habila, Abubakar Imam Kagara, Abuabakar Adam Ibrahim, Ahmed Maiwada, Ismail Bala, Aliyu Kamal, Victor Dugga, Maria Ajima, Zainab Alkali, Abubakar Gimba, and many others.

It is to say that the awareness about writing, reading, and other literary-inclined endeavors has been quite unprecedented in the last decade. Many young people have come to find it as interesting as any other thing young people enjoy. There are now more festivals, literary contests, literary magazines, literary organizations, school-based literary clubs and so on.

The younger generation had come to transform reading and writing from a tortuous exercise to something exceptionally pleasurable.

The perception towards literature has taken an entirely different dimension. If I am asked to pinpoint literary organizations in the north that have contributed immensely to this growth and literary resurgence, I will place Poetic Wednesdays Initiative amongst the first five on my list.

For the fact that it deals basically with young people and neophytes who may have or have not written anything before, it lays a solid foundation for those who develop cold feet when literary matters are being brought to the table.

This is quite hypothetical, but if one is to assemble ten young writers in northern Nigeria today, I am rest assured that two to three of them would attribute their literary indoctrination and growth from having to read, follow, or interact with poets and literature lovers like the likes of Salim Yunusa, Nasiba Babale, Aliyu Jalal, Mujahid Ameen Lilo, Abdulbasit Abubakar Adamu, Abdul-Rahman Abu-Yaman, Hajaar Muhammad Bashar,Usman Karofi, Maryam Gatawa, Sani Ammani, Abduljalal Musa Aliyu, Sa’id Sa’ad Ababakar and many more.

These writers that I have all had or still have something to do with Poetic Wednesdays Initiative. Nothing makes one more proudhearted.

Poetic Wednesdays Initiative’s six years anniversary is a celebration of poetry, literature, passion, creativity, community development, man-power development, and social change. As it stands, the initiative has organized offline creative writing workshops for more than three hundred secondary school students in Kano, Katsina, Yobe, and Kaduna. It has organized several literary hangouts for free, while also partnering with literary organizations like PIN (Poets in Nigeria), Ahmadu Bello University Arts Festival (ABUFEST), The Arts-Muse Fair, Open Arts, Creative Writer’s club, ABU, Minna Book and Arts Festival (MinnaBAF), Hausa International Book and Arts Festival (HIBAF) and many others, all to promote literary activities, especially in northern Nigeria.  

If this literary organization is assisted in its selfless strides, the future of literature in northern Nigeria will be as rosy as it could ever get.

By Junaid Sharfadi 

For many a century, poetry has been used as a veritable tool to pass on religious, historical and social ideas in northern Nigeria. In Kano, for instance, scholars during my grandad’s generation – and beyond – were good at deploying Arabic and Hausa poetic means when forming an opinion.

Women and children too never missed an opportunity to ululate and chant poetic verses, laden with moral messages, when conveying a bride or on other occasions. The famous Charmandudu poem or the works of Sultan Bello, Aƙilu Aliyu, Nasir Kabara, Mudi Spikin, Asma’u Bint Fodio and Modibbo Kilo serve as an example.

Thus, Art and Culture enthusiasts and promoters like the late Abubakar Gimba or Professor Abdallah Uba Adamu would be delighted to see a literary fraternity sprouting from the fertile land of northern Nigeria, spreading its maturing branches across the country. 

Poetic Wednesday (PW) Initiatives started six years ago as an online platform for poets to engage, grow, entertain and convey impactful messages every Wednesday. From agriculture to artificial intelligence, climate change, peace, conflict, education, love etc. the group writes on diverse, important issues.

The founders, led by Salim Yunusa, have succeeded in unleashing the full potentials of the weekly participants by critiquing and publishing their beautiful and virgin poems that drown readers into poemgasms. Budding poets have since joined to unbutton their poetic minds on marginless screens. No boundaries or limitations, just pure chutzpah and truth that reveal the primordial yet sacred content of the heart.

It is imperative to state that Poetic Wednesdays’ remarkable online presence has been effectively utilized in organizing webinars, competitions and workshops to fuel the passion for literature among youth. Prof. Hussein Nasr was right when he emphasized the significance of poetry in shaping Persian, Arab and Chinese societies. Therefore, with literary groups like PW, this society is on the right side of history.

By Tijjani Muhammad Musa

Poetic Wednesday Initiatives (PW) was started by a group of poets of Arewa extract, but global in netizenry that have their muses tied confidently and securely to their minds.

Young, talented, prolific and spontaneous males and females write poetry with a passion that can surpass the fieriness of the sun as well as the soft and gentle subtleness of a sprouting flower.

As a poet myself, I have had close contact with the founding pillars of the movement and have interacted poetically with their brilliant works at an individual level on various literary platforms on and offline.

And when they, Salim Yunusa, Nasiba Babale, Abdulbasit Abubakar Adamu and a few others decided to unite as one, pulling their writing prowess and resources together and initiating PW, I knew something big was in the offing.

What I find fascinating about the whole Poetic Wednesday Initiatives thing is the innovation and strategy with which the youthful minds developed the idea into a viable literary concept that has turned out to be a force reckon with.

Soon, it became the in-thing to have a poet’s piece published on their platform or else it’s not worth reading. Everybody eventually started talking about the beautiful works coming from different hitherto unknown bards, all thanks to their featuring on Poetic Wednesday.

Budding poets on this side of the divide and those across the Niger river found it a challenge to up their writings to meet the unofficial standards set by the PW team. And on social media, the “Poetic Wednesday!” echo was all over the place.

To encourage further participation by shy and underdeveloped poets, PW started offering poetic lessons and coaching to young and not so young struggling poets to develop their skills. They even began a state by state tour in which they taught many the basics of writing good poetry.

Many who have benefitted from such an initiative have developed not just their words craftsmanship, but the confidence to share their poetry on various social media poetry sites. So many were the collections had never seen the light of the day earlier.

There is no doubt that the initiative within the first six (6) of its existence has successfully awakened the inert poets residing in many of us. The question now on many people’s minds is; how do PW consolidate on its success and achievements so far?

Well, for a start, PW is no more a mere platform for poetic talents, both budding, seasoned or veterans, to come and showcase their creative stuff and then walk away. The PW guys have turned the set-up into a fully incorporated business entity. Way to go!

Having been upgraded into a registered business outfit, PW is hoped to set out not only to promote creative literary works but, in collaboration with other stakeholders, to make it its affair to promote, sponsor, and publish writings from writers and poets, making them published authors among other things.

As part of their future strives, PW should also look into the potential of organizing literary workshops, seminars, webinars, shows etc. that will give opportunities to talents in the literary circle to be taught how to measure up in meeting requirements for entering and winning competitions and contests at local, national and international levels.

It will also be an outstanding achievement on PW’s part if it can organize sponsored literary competitions and contests for primary, secondary, and even tertiary institutions to discover hidden literary talents in society and connect them with corporate sponsors to publish their books and anthologies.

I would not mind seeing PW start an institution of learning where poetry, poets and writers in other genres of literature from across the world can find a haven to come and exchange ideas and technical knowhow towards furthering the development of writing skills in various languages such as Hausa, Yoruba, Igbo, Nupe, Kanuri among others via the art of writing.

Congratulations to the PW team for achieving such a monumental milestone. It has been six exciting and value-adding years for society. This is definitely worth going to the moon for. Thus we are pleased to associate with you and your success and believe that if careful planning, focus and dedication to execution would hold sway, more wins are assuredly guaranteed.

Tijjani Muhammad Musa – Poetic Tee is the Chairman of the Association of Nigerian Authors (ANA) Kano Chapter.

By Namse Udosen

I came across Poetic Wednesday on Facebook. It was refreshing to see young people telling their stories in verse. During the Covid-19 lockdown, I followed keenly as Eclectic voices sang tunes that ranged from despair to hope.

Poetry is a beautiful part of literature often not paid deserved attention in this climes. It breathes colours and creates philosophy. Therefore, immersing myself in the words of the poets of Poetic Wednesday provides me with a refreshing view of life in Northern Nigeria.

Aside from providing an outlet on social media for budding poets, they have organized a series of offline creative writing workshops for more than 300 secondary school students in Kano, Katsina, Yobe, and Kaduna. These workshops provide opportunities for non-formal education in creative writing. These workshops also expand the thinking range of these students and them better in their academic work. As a result, many young writers have participated in and won writing competitions which are essential for building confidence.

Poetic Wednesday has used its online presence to drive narrative around pressing societal issues in Arewa. The works have been bold and daring, covering domestic violence, Almajirci, drug abuse, and girl-child education. The conservative toga around Northern Nigeria is regularly broken by the strength of the poetry published.

I have also had the opportunity of attending some of the physical poetry events. Asides from the big players in Kaduna, they have one of the best poetry events in Kaduna.

They have been able to collaborate and partner with several literary organizations such as The Art-Muse Fair, Open Arts, Ahmadu Bello University Arts Festival (ABUFEST), Poets In Nigeria (PIN), Creative Writers Club, ABU Zaria, Minna Book and Arts Festival (MinnaBAF), For The Love of Poetry, Campus Watch, The AlhanIslam Tutoring Center, Chapter One, Open Arts, Hausa International Book and Arts Festival and several others to support and promote literary activities.

I am glad to be part of their growth and successes. I don’t know where they get their drive from, but I appreciate the sacrifices of the young men and women behind the initiative. Long live Poetic Wednesday.

Namse Udosen wrote from Kaduna via namse.udosen@gmail.com.

By Sa’id Sa’ad

As a people of oral tradition such as folklores, stories and songs, modern poetry today – or what is otherwise called contemporary poetry – could still be traced back to the oral literary traditions which have, over centuries, served the purpose of cultural entertainment and preservation in Nigeria.

However, even with the consistent growth of poetry in some parts of Nigeria – mainly because of the existence of some of the most celebrated African literary giants in those parts: Wole Soyinka, Niyi Osundare, Gabriel Okara, Christopher Okigbo – poetry in northern Nigeria has continued to suffer significantly amongst the wanna-be-poets and growing poets, who are thirsty of platforms to put their arts out for the right audience. With no or few consistent literary communities, inaccessibility of literary mentors and workshops or festivals, this category of young people genuinely interested in the art has been in a dilemma between giving up their dream or continuing to breathe in water.

Six years ago, Poetic Wednesdays was built—a rescue mission run by young people for young people. Of course, they understood the challenges of their fellow youths so well. However, It is not surprising that a small team of young people from the under-represented communities in this part of the world would give birth to a literary community of sorts. But what is exciting is how – in six years – these young people Poetified most of Northern Nigeria. It was surprising how, in six years, they were able to achieve what will take others a decade-plus to achieve. This is a product of genuine passion for the course.

Thus, these are young people who – when they began – were never given a seat at any literary or poetry workshop, of any sort, as a way to propel or guide their growth as future literary stars. And this is, sadly, a coat-of-arm that Northern Nigeria, in almost all industries, has cursed itself with, which is ‘intentionally’ refusing to tap on the shoulders of their growing talents. Relatively, most of the young talents in this part who have grown to horn their talents were able to do that without mentorship. Accordingly, they are used to thorns.

However, against all odds, with Salim Yunusa, a young writer from the narrow streets of Zaria, to Nasiba Babale, a noble lab scientist with poetry all over her syringe and test tubes, to Abdulbasit Adamu, a passionate poet and spoken word artist wobbling on the highway between Kaduna and Kano, to Maryam Gatawa, a Kano poet turned entrepreneur, to Abduljalal Musa (AJ) and scores of others who pushed the lorry behind the camera, these passionate and talented people stood and birthed a poetry community run by young people – solely to promote literary arts, to give a platform to other young people especially the wanna-be-poets who are ‘only’ interested in seeing their forced-rhymed poems read by others, and the growing poets who have the dying needs to hear feedback about their art.

Excitedly, with fewer resources, Poetic Wednesdays has grown to do beyond a toddler literary organisation. Especially using digital media/social media platforms like Facebook, hundreds and thousands of young poets have access to sharing their poems with global audiences every Wednesday. With Poetic Wednesdays, in the last six years, one can say that the recent robust revitalisation of poetry, especially in parts of Northern Nigeria, can be directly attributed to literary organisations like Poetic Wednesdays. Now, the north is ‘poetified’ with excellent poets who have and are capable of creating some of the best poems in the country.

Accordingly, with these bold decisions, numerous literary communities have sprouted from some of the most unexpected parts of Northern Nigeria, which have continued to host literary functions and promote their local artistic prowess. From Borno Literary Society in Borno, Yobe Literary Society in Yobe, Sunshine Literary Society and in Adamawa State, literary communities in other northern states such as Taraba State, Sokoto State and Kebbi State sprouted as well. This occurs due to the hard work of a few young people who dared to take up the challenge and push beyond boundaries.

This doesn’t contextualise Nigerian literature based on geographical lines; I am solely a Pro-Nigerian-Literature irrespective of where it comes from. However, it is also essential to acknowledge the growth of particular people or at least point a green mark on an honest, passionate move. Moreover, Poetic Wednesdays or any literary community doesn’t only speak for the people of the north but speaks for every Nigerian artist. Whereas some are even growing to go beyond Nigeria to a broader African space, which is commendable in a way as well.

Today, northern Nigeria is Poetified. From Sabon Gari in Kano to Bulunkutu in Maiduguri, to Ribado Square in Adamawa, to Tudun Wada in Zaria, to Unguwan Dosa in Kaduna, Gidan Kaya in Sokoto, to Bunza in Kebbi, to Madobi in Jigawa, to Sardauna in Taraba, these and more thousands of streets in the north now breath poetry and are giving birth to the most talented literary giants in the country.

If they ask you about the north, tell them that the north is poetified.

Sa’id Sa’ad is a Nigerian writer and performance poet from Maiduguri. He won the Peace Panel Short Story Prize, 2018 and NFC Essay Prize, 2018.