Literature

By Salisu Yusuf

Reading is the interpretation of some signs, symbols and codes into meaning for intellectual consumption. Reading is the third skill in the order of the four language skills behind writing, for one can only write when he knows how to read. The significance of reading can be viewed in the context of the world being a global village; reading has today made our world a unipolar entity where communities understand each other and realise their diversity.

In Islam, reading is the most crucial skill in seeking knowledge and understanding God. The first verse of revelation is “Iqra’a”, or read, for it’s through the pen(writing) that the Lord teaches man some knowledge.

Reading has been the highest source of joy for man. It emancipates and frees man from the shackles of servitude. People have read to escape from the deception of the perverts, the so-called clerics who misinterpret divine injunctions according to their caprices. Reading can wrench you from the grips and chicanery of postmodern politicians. Read and be free from the bog of tradition, the tyranny of the oppressor, the darkness of illiteracy and the glibness of the scammers. 

In fact, reading can make you a gentleman/lady; men/women have become milder, sober and more empathetic through years of excessive reading. When you read, you will understand yourself, your immediate environment, and your world. When you don’t read, you suffer from a lack of effective education. That’s called illiteracy.

 Reading can take you to places you’ve never been. I was once with the notorious Adolf Hitler in a ditch shortly before his infamous suicide. I was once in a Bagdad prison, witnessing the despicable hanging of dictator Saddam Hussein. I have been to Elysse Palace with the powerful Charles de Gaulle during his assassination attempt. Asare Konadu has given me an imaginative ride to cultural Ghana. James Hardly Chase has numerously chauffeured me to an underworld, taught me criminology, spying and espionage. Achebe has taught me some aspects of Igbo culture; in fact, he was the one who told me that “breaking cola” wasn’t only a Hausa culture.

I once read a fable with a combination of animal, bird and spirit characters. I melted into the sky, and became a spirit. I perched on branches of trees as a brood, hatching and nestling. I had become a spirit and mutated into a bird the next moment, flying on a vast, blue and cold sky, feeling acrophobic. I still remember with nostalgia those imaginative, daring escapades. A reader can go directly to a character’s mind and discover his inner thought. He can scale a river and be on war fronts. 

Reading can be your route to escape, add to your knowledge experience, and can polish your language, open you to new vistas and give you aesthetic joy.

 As an advanced reader, you shouldn’t read excessively at night (learn to rest for your mental well-being), or in sunny spots (you should go under a shade). Preferably, don’t read from a white paper; the best paper to read from is either a light yellow or light blue.

 The best thing in your reading is to protect and harness your eyes from being strained. Your eyes aren’t only your sighting treasure. They’re your intellectual and economic assets. By using the best and appropriate paper, you take a long-term measure that’s best for your eyes in later life.

The uncomfortable truth is that, you’ll reach a stage in your life when you lose that flexibility in and around your eyes. So, you must compensate them with reading glasses. But using the right paper will sustain the tempo and rhythm of your sight. You should harness your eyes at this crucial stage of your life. To quote from the famous English poet, Oliver Goldsmith, “husband out life tapers at the close. And keep the flames from wasting by repose.”

At an advanced level of our reading, we read when we’re in the mood, when we’re in the best mental state. This is why it’s crucial to coordinate your eyes and mind together during your reading; otherwise, you’ll only say the alphabet, not the semantic words. There’s a difference between saying and reading. In saying, you don’t understand; in reading, you get the gist.

During our personal/independent reading, we should avoid vocalisation and sub-vocalization because they’re diversionary; we employ the use of silent reading, where the eyes and mind do the bidding. We move the eyes but not the head.

 As an advanced reader, you should devise a contextual reading. A context reading is when a reader utilises all those syntactic, semantic, and discourse markers as well as the surrounding information, use an appropriate analytical approach to the vocabulary, and use the historical and cultural backgrounds in his quest for meaning. 

A reader should digest both the content and form. Reading is twofold; he digests the content for the message and the form or language where he learns some contextual expressions. 

Reading should be a lifetime endeavour. However, reading cannot be an obstacle to my midday siesta, my routine physical exercise, or my light walk. It cannot hinder my other religious obligations.

Reading is my morning tea, my late morning cake and drink, my heavy lunch, my afternoon dessert, and my evening supper. Reading is my light dinner. I will read until I can read no more until I feel numb and dark.

 Salisu Yusuf wrote from Katsina via salisuyusuf111@gmail.com.

By Salisu Yusuf

Writing is the act of inscribing some signs, symbols and codes which a reader absorbs, encodes and interprets to act on, connect to, or change an attitude towards something. Writing is the fourth of the four basic language skills: listening, speaking, reading and writing. This, however, does not make writing the least important; in fact, writing is the most critical language skill in the current global context due to its perceived wider, heterogeneous and scattered audience and its permanence.

Speaking is also instant and irretrievable (at least before the invention of modern communication and broadcasting systems). You can only apologise after saying something. Writing can be edited and is retrievable. In other words, writing has some measure of revisability or verifiability. Every other form of communication is ephemeral. Only writing survives time because of its encryption. Moreover, the purpose of reading is defeated if there’s no writing. Writing has preserved divine scriptures.

Writing can make you happy because when you write, you instantly release a pent-up feeling. When you unburden, you feel you’ve got rid of something. Writing makes your day. It makes you great, famous and successful. Writers are known to have defied time and become immortals. Writers are immortals because their names defy times: Chinua Achebe, Khaled Hossein, Nuruddeen Farah, Newal Elsadawy, etc., are timeless names. The power of the pen has bound people and made the world better.

Good writing skills, the ability to convince, and the ability to communicate with a good command of language will likely attract a mass audience. These make public relations and propaganda tools for controlling narratives and persuasion.

One secret to writing is that writing widens your horizon and increases your critical thinking and sense of reasoning. It broadens your analytical skills. Writing makes you more sensible. It opens new vistas and can lead you to explore lands and thoughts that men have never explored. So, write, write, rewrite until you write the right.

Writing is, however, a slippery slope. Lest you forget, writing reveals you- it lets your audience know your personality, character traits, likes and dislikes, troubles, etc. This is because, when you write, you leave out gaps, aporias which the reader fills.

Though writing is a joyful venture, it can be a self-destructive escapade. So, know your subject matter well and write on what’s verifiable. Avoid defamatory, slanderous materials. You should know that laws of defamation cover writing, so don’t bring an issue that will likely injure the reputation of an innocent one. Men are dignified creatures. Don’t dare denigrate them.

Moreover, while writing, do not infringe on others’ copyright. Make your copy the right one. Copyright laws strictly bind writing; when you quote, acknowledge your source correctly.

As a writer, you should know that writing is fluid; it has no fixed shape. Therefore, it yields explications, expositions and interpretations. So, when you write, as Roland Barthes said, you’re a dead author. People rightly interpret your write-ups and derive multiple meanings. Therefore, when you write, you’re no longer in control of your text. You’re a dead author. Only the readers are alive and in control of the meaning.

As a writer, the sensibility of your audience is respected. Writing always goes with its moral appeal. I have not seen a fool as one who writes to level old scores, which hurts feelings. That’s the definition of a fool. 

For some, writing is a profession. For others, writing is a skill, while some look at writing as an escapement. Whatever it’s to you, write and rewrite until you write the right.

Salisu Yusuf wrote from Katsina via salisuyusuf111@gmail.com.

By Sulaiman Maijama’a

A barrage of questions troop into my inbox daily from people outside the writing circle, declaring their interest to come in. Some questions are worthy enough, while some are funny and crazy. For example, a young lady asked me to teach her “Article Writing” via WhatsApp. Another once asked, “can I become a writer in one week?”  Somebody told me “kai kam rubutu bayi maka wahala“. What a wrongful assumption!

Let me, in order not to give a wrong impression of myself, humbly submit that I’m just a fledgling writer aspiring to be a pen wizard one day. My decision to write on “writing” this time was prompted by the fact that those who excelled are too busy to avail themselves and become beast of burden for aspiring writers. Be that as it may, a dot in the circle (like me?) may have something to offer. And as the saying goes, “there is love in sharing”. Thus, I will share the following tips for aspiring writers:

1. BE PASSIONATE AND AMBITIOUS. This, in my view, is the first step to becoming a writer. Writing is daunting, time-consuming, attention-demanding and a continuous learning process.  Whoever tells you the contrary is leading you astray. But your passion and ambition are the driving force that will keep propelling you to defy all odds and cross the blocks on your way to the promised land. I believe that one (1) inspiration can overcome ninety-nine (99) perspiration.

Haven’t you ever asked yourself why some people who read English or Mass Communication write poorly or don’t write? But others who are trained scientists are writing professionally standard _Medical Doctors, Zoologists, Agriculturalists among others write well. This is to tell you that writing is a product of passion and ambition. Regardless of what you read, you can be a writer per excellence.

2. MASTER YOUR LANGUAGE. Reasonable proficiency in a language is a prerequisite for any writer who wants to be taken seriously by his readers. Not necessarily English Language, but any language you write in. Master the language to the level that the native speaker will appreciate you. Nobody can afford to devote his time to reading trash in the name of writing. Nobody will take you seriously when your essay contains grammatical errors, sentence fragments, dangling modifiers, and incoherent and incohesive sentences and paragraphs.

3. READ. I do not know a better way a writer can improve than by taking an avid interest in reading. Reading good writings is what makes good writers. And the volume of the text you read must supersede the magnitude of your writing. For instance, you need to read and analyse at least ten articles when writing a single piece. Before you write a single book, read and review one hundred books. Do you know that when a writer stops reading, it reflects in their writings?

4. HAVE MODEL(S) AND MENTOR(S). In any profession one wants to excel in, they must have people they look up to. Different writers have different styles of writing. As a young aspiring writer, identify your hero(s), look up to them and read them more. While having a model(s) will help you raise the bar of your success by dreaming bigger, having a mentor(s) will, on the other hand, help you be on the rightful terrain to the promised land. Mentors are a blessing; they show you the way, and when you feel like giving up, they reinvigorate your confidence.

5. WRITE FREQUENTLY. It is impossible to learn writing by theory; it is learnt by the practical application of theoretical ideas. But, like a muscle getting stronger by exertion, writing improves through frequent practice. If you write frequently, you will discover that today’s writing is better than yesterday’s. Your writings this week are better than those of previous weeks. That’s one magic about it. So, never get tired of writing if you want to become a good writer.

6. HAVE AN AREA OF INTEREST.  A writer should specialise in a given area, preferably the area they are more interested in. For instance, some people are sport-loving, some follow every trend in politics, some on entertainment, some on terrorism etc. The wisdom behind identifying an area of interest is that whatever you are interested in, you will not find it too daunting but rather fun that will push you to break the glass ceiling. But this does not mean limiting yourself to a single area; a good writer should be able to write on every topic under the sun.

7. DON’T BE DECEIVED BY ENCOMIUMS: Writers carried away by flattering are likely to feel complacent. Most of the encomiums coming from people are not genuine. Regrettably, this has led to the downfall of many writers. Some people will overrate you; some will send you positive responses even without reading you. However, positive responses are motivating, but be relaxed, know your level and keep improving.

8. ACCEPT CORRECTIONS AND KEEP LEARNING. Nobody has a monopoly in this business. There is no level of professionalism a writer can attain where they are above mistakes. Even globally recognised writers make mistakes. Always keep your doors open for corrections, learn from them, and keep learning every day.

Maijama’a is a student at the Faculty of Communication, Bayero University, Kano and wrote via sulaimanmaija@gmail.com.

By Rabiu Muhammad Gama

Prof. Yuval N. Harari might be a fake scholar, as some critics are desperately “begging” us to accept and believe. Some critics also imply that he might be the most grossly over-hyped and rigorously marketed scholar in the West. Harari might be basking in unearned attention. He might even be an irritating know-it-all or an intellectual nuisance.

The scientific community might have debunked most of his claims. His works might be riddled with some historical and scientific errors here and there. He might not deserve the wide global acclaim he is receiving today. His works might be replete with idle speculations and groundless generalizations that many scholars find annoying.

However, you cannot dismiss the fact that Harari always asks the big questions – the earthshaking questions that every intellectual worth his salt should be obsessed with. And there’s some “indismissable” magic that seems to clothe his books: when you read his books, you can’t help but feel a bit smarter and/or more informed than anyone who hasn’t read them.

To say Harari is highbrow is a sheer understatement. He is a perfect definition of a polymath. He is blessed with an unusual brain, a razor-sharp brain. His grasp of the esoteric world of science and the humanities is as baffling as it is admirable. Very few scholars can merge science and the humanities as Harari does.

If anything, the torrent of bashings and roastings that Harari is receiving lately from some of the finest critics in the world is a testimony that he has come up with something fascinating that makes his readers curious and his critics restless. Of course, some people might like to dismiss him as a mere talented storyteller. Nonetheless, and at the risk of sounding hyperbolic, he is one of the greatest intellectuals around!

Rabiu Gama wrote from Kano, Nigeria via rabiumuhammadgama0@gmail.com.

• Title: Nearly All The Men in Lagos Are Mad

• Author: Damilare Kuku

• Genre: Fiction

• Date of Publication: 2021

• Page: 198
• Publisher: Masobe Books

• Reviewer: Aliyu Idris

It is the author’s debut. It entails twelve short stories narrated in cooperative narration; almost every story revolves around a subject regarding the woman or feminine gender.

From the book title, you may sense that it’s questionable, derogatory and disrespectful to men. However, the book exposes the sufferings of women and how the men of Lagos behave, especially towards women. It involves the story of sacrifice, endurance, rape, patriarchy and phallocentric, deceit and betrayal. Women are presented as saints. But, as it happens in reality, some characters found in some stories are the reason for their suffering.

Another crucial issue highlighted and promoted in the book is the concept of feminism. Just like contemporary feminists, I am not flabbergasted to find out that one of the author’s inspirations to produce the book is a feminist (Ngozi Chimamanda Adichie).

Almost every female writer who writes in any genre of literature promotes feminism right from the 19th and 20th-century feminists such as Virginia Woolf, Simone de Beauvoir, and Kate Millet down to the present-day feminists.

Because contemporary feminist writers do not stick to one feminist ideology but many subcategories. For instance, every story in the book has a different class of feminist ideology. For example, the first story titled “Cuck-Up” uses Amazon feminism to potray how defiant women are despite appearing weak and passive.

The last story in the book, “Independence Day,”  uses cultural feminism, showing women’s kindness and gentility.

Eco-feminism in the story “Anointed Wife” emphasises that patriarchial societies are detrimental to women.

Charles E Brazzler, in his book Literary Criticism An Introduction to Theory and Practice Fifth Edition, asserts that it’s the view of contemporary feminists that subjugation of women still exists worldwide. Issues such as rape, prostitution, social injustice, early marriages, polygamy etc., the feminist writers continue to add their voices to protest through their pens and papers.

It should be noted that feminism has been broadly international in scope, and many local and general factors dictate its disposition. For example, writers from Arab traditions such as Fatima Mernissi and Leila Ahmed have attempted to articulate a feminist vision distinctly marked by their specific cultural concerns. The same is true of African-American feminists such as Alice Walker and feminists of Asian heritage such as Gayatri Spivak (Habib 2005:669).

By Junaid Sharfadi 

For many a century, poetry has been used as a veritable tool to pass on religious, historical and social ideas in northern Nigeria. In Kano, for instance, scholars during my grandad’s generation – and beyond – were good at deploying Arabic and Hausa poetic means when forming an opinion.

Women and children too never missed an opportunity to ululate and chant poetic verses, laden with moral messages, when conveying a bride or on other occasions. The famous Charmandudu poem or the works of Sultan Bello, Aƙilu Aliyu, Nasir Kabara, Mudi Spikin, Asma’u Bint Fodio and Modibbo Kilo serve as an example.

Thus, Art and Culture enthusiasts and promoters like the late Abubakar Gimba or Professor Abdallah Uba Adamu would be delighted to see a literary fraternity sprouting from the fertile land of northern Nigeria, spreading its maturing branches across the country. 

Poetic Wednesday (PW) Initiatives started six years ago as an online platform for poets to engage, grow, entertain and convey impactful messages every Wednesday. From agriculture to artificial intelligence, climate change, peace, conflict, education, love etc. the group writes on diverse, important issues.

The founders, led by Salim Yunusa, have succeeded in unleashing the full potentials of the weekly participants by critiquing and publishing their beautiful and virgin poems that drown readers into poemgasms. Budding poets have since joined to unbutton their poetic minds on marginless screens. No boundaries or limitations, just pure chutzpah and truth that reveal the primordial yet sacred content of the heart.

It is imperative to state that Poetic Wednesdays’ remarkable online presence has been effectively utilized in organizing webinars, competitions and workshops to fuel the passion for literature among youth. Prof. Hussein Nasr was right when he emphasized the significance of poetry in shaping Persian, Arab and Chinese societies. Therefore, with literary groups like PW, this society is on the right side of history.

By Tijjani Muhammad Musa

Poetic Wednesday Initiatives (PW) was started by a group of poets of Arewa extract, but global in netizenry that have their muses tied confidently and securely to their minds.

Young, talented, prolific and spontaneous males and females write poetry with a passion that can surpass the fieriness of the sun as well as the soft and gentle subtleness of a sprouting flower.

As a poet myself, I have had close contact with the founding pillars of the movement and have interacted poetically with their brilliant works at an individual level on various literary platforms on and offline.

And when they, Salim Yunusa, Nasiba Babale, Abdulbasit Abubakar Adamu and a few others decided to unite as one, pulling their writing prowess and resources together and initiating PW, I knew something big was in the offing.

What I find fascinating about the whole Poetic Wednesday Initiatives thing is the innovation and strategy with which the youthful minds developed the idea into a viable literary concept that has turned out to be a force reckon with.

Soon, it became the in-thing to have a poet’s piece published on their platform or else it’s not worth reading. Everybody eventually started talking about the beautiful works coming from different hitherto unknown bards, all thanks to their featuring on Poetic Wednesday.

Budding poets on this side of the divide and those across the Niger river found it a challenge to up their writings to meet the unofficial standards set by the PW team. And on social media, the “Poetic Wednesday!” echo was all over the place.

To encourage further participation by shy and underdeveloped poets, PW started offering poetic lessons and coaching to young and not so young struggling poets to develop their skills. They even began a state by state tour in which they taught many the basics of writing good poetry.

Many who have benefitted from such an initiative have developed not just their words craftsmanship, but the confidence to share their poetry on various social media poetry sites. So many were the collections had never seen the light of the day earlier.

There is no doubt that the initiative within the first six (6) of its existence has successfully awakened the inert poets residing in many of us. The question now on many people’s minds is; how do PW consolidate on its success and achievements so far?

Well, for a start, PW is no more a mere platform for poetic talents, both budding, seasoned or veterans, to come and showcase their creative stuff and then walk away. The PW guys have turned the set-up into a fully incorporated business entity. Way to go!

Having been upgraded into a registered business outfit, PW is hoped to set out not only to promote creative literary works but, in collaboration with other stakeholders, to make it its affair to promote, sponsor, and publish writings from writers and poets, making them published authors among other things.

As part of their future strives, PW should also look into the potential of organizing literary workshops, seminars, webinars, shows etc. that will give opportunities to talents in the literary circle to be taught how to measure up in meeting requirements for entering and winning competitions and contests at local, national and international levels.

It will also be an outstanding achievement on PW’s part if it can organize sponsored literary competitions and contests for primary, secondary, and even tertiary institutions to discover hidden literary talents in society and connect them with corporate sponsors to publish their books and anthologies.

I would not mind seeing PW start an institution of learning where poetry, poets and writers in other genres of literature from across the world can find a haven to come and exchange ideas and technical knowhow towards furthering the development of writing skills in various languages such as Hausa, Yoruba, Igbo, Nupe, Kanuri among others via the art of writing.

Congratulations to the PW team for achieving such a monumental milestone. It has been six exciting and value-adding years for society. This is definitely worth going to the moon for. Thus we are pleased to associate with you and your success and believe that if careful planning, focus and dedication to execution would hold sway, more wins are assuredly guaranteed.

Tijjani Muhammad Musa – Poetic Tee is the Chairman of the Association of Nigerian Authors (ANA) Kano Chapter.

By Namse Udosen

I came across Poetic Wednesday on Facebook. It was refreshing to see young people telling their stories in verse. During the Covid-19 lockdown, I followed keenly as Eclectic voices sang tunes that ranged from despair to hope.

Poetry is a beautiful part of literature often not paid deserved attention in this climes. It breathes colours and creates philosophy. Therefore, immersing myself in the words of the poets of Poetic Wednesday provides me with a refreshing view of life in Northern Nigeria.

Aside from providing an outlet on social media for budding poets, they have organized a series of offline creative writing workshops for more than 300 secondary school students in Kano, Katsina, Yobe, and Kaduna. These workshops provide opportunities for non-formal education in creative writing. These workshops also expand the thinking range of these students and them better in their academic work. As a result, many young writers have participated in and won writing competitions which are essential for building confidence.

Poetic Wednesday has used its online presence to drive narrative around pressing societal issues in Arewa. The works have been bold and daring, covering domestic violence, Almajirci, drug abuse, and girl-child education. The conservative toga around Northern Nigeria is regularly broken by the strength of the poetry published.

I have also had the opportunity of attending some of the physical poetry events. Asides from the big players in Kaduna, they have one of the best poetry events in Kaduna.

They have been able to collaborate and partner with several literary organizations such as The Art-Muse Fair, Open Arts, Ahmadu Bello University Arts Festival (ABUFEST), Poets In Nigeria (PIN), Creative Writers Club, ABU Zaria, Minna Book and Arts Festival (MinnaBAF), For The Love of Poetry, Campus Watch, The AlhanIslam Tutoring Center, Chapter One, Open Arts, Hausa International Book and Arts Festival and several others to support and promote literary activities.

I am glad to be part of their growth and successes. I don’t know where they get their drive from, but I appreciate the sacrifices of the young men and women behind the initiative. Long live Poetic Wednesday.

Namse Udosen wrote from Kaduna via namse.udosen@gmail.com.

Nigerian Universities lament…

Are we not akin to nursing mothers?

With maternal tenderness and compassion, we breed.

Etiquettes and knowledge in our students

Isn’t it from our breast they suckle?

The milk of freedom and wisdom

To enable them differentiate right from wrong

And to make their future bright

But melancholically,  with choppers, these tyrants unceasingly chopped off our udders.

Who delivers us from the clutches of tyrants in the jungle? 

Nigerian students lament

Dear Mother, beloved patron of our course.

In every whisper, they hear your anguish

In lieu of salvation, to the ground, they malevolently choose to turn their ears.

From the serenity of academic society, they always exile us

To the ennui of waiting idly in our parents’ home

When and what will halt this malice?

When do we have our basic rights to education?

Who will shake sense in the diseased brain of these monsters?

Who can deliver us from their shackles?

Inhabitants of Northern Nigeria lament.

Our beloved students and varsities

Your blues and agonies we are sorry for…

By her visage, we say the country is extremely sick

And remedy from the omnipotent Lord we should only seek 

Strong security measures they feigned

Yet in homes, our lives are at stake

We are famished but our  farmlands irrigate with our blood

Enroute to worship, work,  business places we are waylaid

Quotidian reports place our pogroms and theft at a toll of  hundreds of thousands rate

But to the mercy of the blood-sucking beast we are always left.

Chorus: God we are helpless in the hands of tyrants. 

Only You can deliver us from the clutches of their mischief…

Abba Muhammad Tawfiq is a 500L Medical Rehabilitation Student University Of Maiduguri.

By Maryam Muhammad Lawan

They both entered Ammi’s room with crestfallen faces.

“Ammi, I don’t know what’s wrong with this boy. I saw him in the afternoon wandering about the street with those ludicrous coteries and now with a gamepad instead of a book!” Yaaya exclaimed. 

Ammi sighed as if she could not utter a word.

I know she could, for she has been trying her best. Anis would only pick his book to study when Ammi sounds emphatic. Not sure if it’s hearty, for he would start to sleep shortly after he starts reading, and that will be the end. 

Yaaya broke the silence in the silent room with a query. “What exactly do you want?”

Mentorship! I answered the question for Anis quiescently.

 He continued, “Unless you straighten up and fly right, our efforts will be fruitless.”

Anis is blessed with a quick cognitive capacity but is prone to play.

 “I’ll try my best and make sure he get his acts together, but he’s listless now. Tomorrow will be a better day,” I said to myself. 

The Next Day

I stealthily entered Anis’s room and met him ironing his sport wears. 

 “This is supposed to be done before today, my friend,” I said teasingly.

 He replied amusingly, “I heard you, but not well. However, I may hear you well when you go out and say Assalaamu Alaikum.”

Deep down, I know he’s trying to requite, for this is always what I say whenever he bangs into my room without saying the Salaam. 

I went out, said the Salaam and entered. 

I soothingly asked about his preparation(s) for the forthcoming exams.

 “Which preparation?” He asked. “Y’all should know that this JAMB is just luck,” he added. 

“So you wrote the exams before, wow! What was your score? “I uttered innocuously. 

“Look, Anis, can you please give me a listening ear?” This time around, it’s more of motherly. 

He switched off the iron and turned his attention to me. 

“Last year, when I did my JAMB examination, were you not proud of my score? Were you not the one that added that to your status with ‘can ur sis be brilliant like this’ as the caption? Do you remember how that result trended? Why? It’s all because of the score, Anis. I wasn’t the only one that wrote JAMB that same year, but mine trended most.” Can you remember how I read hard? Why don’t you do that, Anis?”

The room was silent for a while.  

“There’s nothing like luck, except that in almost everything, there may be a refutation. Some candidates may prepare well, but fail, while others will pass without preparing, but this is a hen’s teeth. I want you to train hard and pray harder, please, dear. Will you do that? “ 

He astonishingly answered in the affirmation. 

“I remember how some students mocked us (me and my friends) just because we were preparing hard. How foolish? None of them scored more than 130. Karina was among them; she scored 98. I know you can still remember that. So, in case you come across those sets of people, get them the cold shoulder. But, eventually, we shall smile together,” I said. 

“It’s almost 7:30 am. Let me leave before your school bus arrives. Peace out, bro, I said and added “no procrastination please,” when exiting out of the room. 

“Anis!! I shall celebrate with you as well, “I said this when I saw him reading voraciously after coming back from Islamiya in the evening. 

I could see happiness in Ammi’s and Yaaya’s faces. 

It’s time for the Maghrib prayers, so the young boy must keep everything and pray. 

He stood up while uttering, “So help us, God.” I wasn’t the only one that said “Ameen.”

Yaaya was at the parlour, ready to move on to the mosque, while Ammi was there to pick the phone she left at the dining table. I, Yaaya and Ammi said that Ameen happily.  

The young boy moved on to the restroom to perform his ablution.

 He held Ammi and Yaaya in awe, they happily prayed for him, and they both left. 

Maryam Muhammad Lawal wrote from Kaduna via mmafamam@gmail.com.