Writers’ Residency

By Mujahid Ameen Lilo

‘Please go in and see the magic I’d pulled off,’ Maryam Batool, the young Creative Director of Kabara Kreatives, said to me by way of welcome to Artistic Rendezvous, an exhibition she curated.

Her voice was cheerful but her smile was slightly exhausted. ‘Of course . I expected no less.’ I said and got ushered into the galleries. Indeed it was magic. From the very first gallery, my breath was taken away by these wonders of human minds, the best of human creativity hanging on walls, breathing shades of perspectives and aesthetics of the highest standards possible.

When the Italians and English were having their Renaissance as far back as the 14th century, such beauty was the reason they exalted the imaginations of mere mortals to the high heavens. I joined the pool of arts enthusiasts who had gathered at No. 7, Sokoto Road that Saturday with a clement January weather. We swooned and wowed and snapped pictures.

Sculptures, paintings, calligraphy, dye and textiles and other artworks were on display to the delight of students, observers, writers and culture critics. There was a stall too for art related souvenirs. One thing I noticed was that many people there were attending an exhibition on this bigger scale for the first time in Kano state.

Aside from a couple of galleries put of as side attractions at other events like art festivals, this was to be the first exhibition to give people an enriching, fuller artful experience. Most of the visual artists were live at the galleries. This shows that Kabara Kreatives has joined the Arewa Renaissance that we’re lucky to be part of and which my generation seem to be the vanguards of.

It was the season of firsts in Arewa, northern Nigeria which had hitherto been stagnant compared to other parts of the country in the cultural landscape. The first Hausa movie to premier on Netflix. For the first time a literary event on the scale of a festival was hosted in Kano ( HIBAF ’23). The first Kannywood actor to head The Nigerian Film Cooperation. The first edition of Storytelling Festival just held in Bayero University.

When viewed in light of the institutional discouragement and lack of government support in addition to a populace that’s equally nonchalant towards the arts, only then can one appreciate the efforts of the young people who on many fonts are impacting and reshaping the culture.

According to Professor Tanure Ojaide, ‘culture is the ornamentation of humanity, it’s a form of adornment to humanity.’ The culture of a people gives grounding to an artistic creation with its aesthetics. In that sense, considering the rich cultural heritage of northern Nigeria, it shouldn’t be surprising that its artist are making magic, with the promise to compete globally.

There are many arts collectives, initiatives, associations sprouting in the North but most of them are focusing on the non-visual arts like poetry and storytelling. Kabara Kreatives is changing the narrative by coming full force to give a semblance of balance in the ongoing Renaissance, giving prominence to visual arts.

Kabara Community Development Iniative (KCDI) was founded in 2016 with focus on improving the lives of Northern youths and women. Kabara Kreative is a subsidiary, an arts collective.

In her welcome address, Maryam Batool said the collective is an NGO dedicated to unleashing the talents of artist from northern Nigeria and promoting them by giving them platforms where they can create, connect, share and grow. ‘Our mission is to train artists and create opportunities for them to thrive in the national and international art community, ‘ she said.

Since their founding they have organized mini solo and group exhibitions and last year they partnered with Hausa International Book and Arts Festival to host a stories exchange with Narrative 4. She announced that workshops, more exhibitions, festivals, online events and other exciting events are underway.

The most heartwarming news though, was the news that a permanent gallery, The Kabara Gallery, had been set up. Batool is one of many young people raising the bar in their spaces by showing dedication and red-hot passion, be it in the developmental space ( Adamu Usman Garko with OKDI in Gombe & Yahaya with his activism to mention but a few), the literary landscape ( Summaya Jae in her capacity as Creative Director of Open Arts and the young chaps at Hilltop Creative Arts Foundation in Minna and other state chapters).

The 22- year old graduate of Library Science is a curator, writer and filmmaker. She has directed short films, sparked important conversations on gender and social justice. A force to reckon with, she remains committed to doing what she loves best. When Maryam joined KCDI last year, it was as creative director of the collective.

The initiative was obscure no doubt but the vibrant director has brought a new lease of life to it. As such, she embodies all that’s good about the vibrancy and passion of Nigerian youths. She’d been up and about, knocking on doors, meeting people and talking to artists. She’d visited the newly appointed Director, National Troupe of Nigeria, Hajiya Kaltume B. Gana. The director welcomed Batool with opened arms and commended her zeal and work.

In my interview with her after the exhibition, she talked about some of the challenges she was was experiencing as the director of the arts collective. From some stakeholders who were gatekeeping her, to artist themselves who were reluctant or nonchalant to such opportunities offered by Kabara and the media that’s not promoting such ventures.

After her opening address, an art historian was invited and he gave an overview of art in Kano, the history, challenges, prospects and social uses. An open mic session followed where poems and spoken word pieces were performed to the audience who were snacking on samosa.

The crowning moment of the session was a musical performance by the fast-rising musical artist and screenwriter, Idris Yusuf, better know by his stage name, Decypher. The late afternoon breeze carried his voice crooning from the speakers to soothe hearts and souls.

A tour to the gallery led by the artist was next. It was exiting to see the artists talking about their artworks, shedding lights on their creative process and artistic vision. My personal favourite was an artwork by the self taught artist Rayyana. I can’t remember the title but it’s the map of Africa made with charcoal over beautiful patterns. Rayyana informed me that she intended to do another art work of Nigerian map.

Worthy of mention is the Durbar, a painting that uses acrylic on canvas to show horsemen riding out of Gidan Rumfa, the Kano palace. The texture of the textile art was tender and quite brilliant. The landscape paintings were simply mesmerising. Overall, it was an aura of beauty and sophistication. I spoke with a few of the artists. Their enthusiasm and joy for the promises Kabara offered was evident. One artist, Muhammad Sanusi told me this exhibition was unique in many ways and that it’s nothing like what he’d been at previously. ‘Every exhibition I attended I just had to squat, but this is the first to give me enough space to display my work, ‘ the young artist said.

Maryam Mahmoud, another artist whose paintings were exhibited as well said she was grateful for the opportunity Kabara gives to artists. ‘And for art enthusiasts to feast their eyes on the beauty and serenity that art offers, especially here in Kano. I look forward to more of such events from them,’ she added. For Rayyana Beita, it’s the opportunity to connect with her audience and interact with other artists that she commended.

In the final analysis, this was a successful outing and one can not but hope to see what the future holds for this ambitious arts collective. The first writers’ residency in Northern Nigeria is being built by Hilltop Arts Foundation in Minna, and with Kabara Kreatives we have hopes of seeing the first artists’ residency in Kano and indeed the north at large.

Mujahid Ameen Lilo is the assistant editor of ABU Creative Writers’ Club. He’s a fellow of the Wole Soyinka International Cultural Exchange Program 2019 and Ebedi International Writers Residency 2023.