TikToker

By Haroon Aremu Abiodun

It all began like any other viral moment on Nigerian social media, but then it took a turn. Popular TikTok sensation Hamzat Habeeb Adelaja, popularly known as Peller, shocked followers recently with a post that seemed almost too generous to be true. He was hiring a cameraman for a monthly salary of ₦500,000. The news spread like wildfire, and in no time, graduates, yes, university graduates, trooped in for interviews, hoping to clinch the role under the young entertainer’s banner.

But beneath the glitz of that social media post lies a stark irony, a brutal reflection of Nigeria’s current socioeconomic reality: a secondary school certificate holder interviewing degree holders for a position in the gig economy. Is this a triumph of hustle over education or a symptom of a failing system?

This scenario has ignited widespread controversy. Should someone with Peller’s academic background employ graduates? Is he flaunting success in a way that undermines the value of formal education? Or is he, in his own unorthodox way, contributing to job creation in a country where unemployment is a ticking time bomb?

Regardless of where you stand, one truth remains: Nigeria’s youths are not only unemployed, they are disillusioned.

But, beneath the glamour, is Peller’s youth the key to his controversial rise? At age 20, can Peller truly shoulder the weight of fame, fortune, and the emotional toll that comes with being in the public eye? Fame is a double-edged sword, and wealth earned in the public space, especially in a country like Nigeria, where social values matter, can either elevate or destroy a brand.

Some have attributed his behaviour to immaturity, a lack of exposure, or poor guidance. Others question the roles played by his management and inner circle. Are they enabling his excesses or helping him stay grounded?

Peller’s youth and maturity seem to be dancing to different tunes at times in sync, at other moments, sharply distinct. While his age brings the energy, creativity, and audacity that fuel his rise, it may also limit the depth of judgment that comes with lived experience. Despite his fame and financial success, one thing remains true: maturity isn’t measured by wealth or followers. 

He may be richer or more popular than his advisers, but that doesn’t make guidance obsolete. In fact, the higher one climbs, the more essential wise counsel becomes. No matter our age or status, we all need mentors, correction, and continued learning because growth, like fame, should never outpace wisdom.

This is not Peller’s first brush with public criticism. During the heated JAMB controversy months ago, he was branded a poor role model. Critics say he misuses his influence. Admirers say he is just being himself. But the question is not just what Peller does, it’s what he represents.

When individuals like Peller become the aspiration of thousands of young people, what message are we sending? That fame, regardless of how it’s earned, trumps knowledge, experience, and decorum?

One might ask, is this a systemic failure or a personal flaw? But the deeper question is this: Can we really blame Peller for being a product of a broken system? Or should we point fingers at the society that created him, a society where education is devalued and unemployment drives graduates to accept roles from entertainers with no formal qualifications?

This is a national dilemma. Young people are no longer looking to engineers, doctors, or scholars as role models. They now look to influencers, many of whom may lack the maturity or training to handle such responsibility.

This isn’t just about Peller; it’s about perception, power, and public influence.

The Brand at Risk: PR Implications

From a public relations perspective, Peller’s every move is now under a magnifying glass. As a brand, his current trajectory presents both opportunity and risk. He is loved by many but also watched with scrutiny by an equal number. His brand power lies in his authenticity, but even that must be managed with intentionality because one viral moment can either grow his brand or ruin it.

In a society where cultural norms still dictate public perception, Peller must understand that his brand isn’t just about content; it’s about conduct. His platform gives him power, and with that comes responsibility.

PR experts warn that failing to manage this carefully could result in brand erosion, reduced partnerships, and a gradual loss of public trust. A sustainable career in entertainment requires more than charisma—it demands discipline.

Beyond the Buzz: What should Peller do? It’s easy to dismiss these concerns as envy or moral policing, but that would be a mistake. Peller is a Nigerian pride, a self-made entertainer who carved a niche and created employment. That in itself is commendable. But with influence comes expectation. With status comes scrutiny.

This article is not to tear Peller down. It is to offer a lens of accountability, reflection, and growth. The same media that celebrates must also question, not out of hate, but out of hope that Nigeria’s influencers will see themselves not just as entertainers, but as leaders in a generation gasping for direction.

Peller can choose to be more. He can use his platform to elevate the values of integrity, hard work, and education, even as he continues to thrive in entertainment. He can show that success does not require disrespect, and that influence is not a license for irresponsibility.

Whether he likes it or not, Peller is not just a content creator. He’s a movement. And movements, when misdirected, can lose their magic or worse, mislead millions.

Final Thought

Peller’s story is still unfolding. He is talented, young, and full of potential. This is not a final verdict, but a cautionary tale. The camera is rolling, the nation is watching.

The real question is: What will Peller do next?

Haroon Aremu Abiodun, An Author, public Affairs Analyst. He wrote in via exponentumera@gmail.com

By Hadiza Abdulkadir

Khaby Lame, the Senegal-born TikTok sensation who rose to global fame for his silent comedic videos, has voluntarily left the United States after being detained by U.S. Immigration and Customs Enforcement (ICE) for overstaying his visa.

The 25-year-old, who officially became an Italian citizen in 2022, was held at Harry Reid International Airport in Las Vegas for immigration violations. Lame had been in the U.S. on a temporary visa, which reportedly expired before his detention.

Lame, known by his handle @khaby.lame, boasts over 162 million followers on TikTok, making him one of the most followed creators on the platform. His signature style—wordless, expressive reactions to overly complicated life hacks—catapulted him to viral fame during the COVID-19 pandemic.

His detention comes amid intensified immigration enforcement under President Donald Trump’s administration, which has renewed crackdowns on visa overstays and undocumented immigrants.

Sources close to Lame say he has returned to Italy and cooperates fully with authorities. Neither Lame nor his representatives have made a public statement regarding the incident.

By Prof. Abdalla Uba Adamu

They are both young boys, although one seems slightly older. From March to May 2025, they captured the attention and interests of Hausaphone social media with their radically different approaches to digital media visibility. In the process, they provided a template or script for the future of youth engagement in public culture and demonstrated the power of agency. 

Taranding in an open cesspool (Kabiru Isma’il, Kano).

The first was Kabiru Isma’il, better known as Kabeer2pac (apparently a fan of the late American rapper 2Pac Shakur).He had 1.8m followers and 15.1m likes on his TikTok account, which prominently displays his phone number (or that of his agent) for advertising purposes. His early videos clocked in millions of views. His most famous video, in which he shakes the dust off his body and jacket, has earned 51 million views. He devised two strategies to achieve this fame. 

His first videos were posted during the 2025 Ramadhan on 19 and 20th March 2025. In the videos, he was recorded immersed in a stagnant open cesspool of household wastewater (kwatami), dunking himself in it and smearing the sediments on his face. The videographer asked for his motives, and he replied he was doing so to “tarand” (trend) because he yearns for fame (ɗaukaka). He affirms he was not a lunatic. The video had 2.6 million views. He further explained that he resorted to this because his earlier attempts at trending were unsuccessful.

On 3rd April 2025, he switched from cesspool contents smearing to getting a sack of charcoal dust dumped on his head,which earned the video 14.8 million views. By then, his fame spread because the CoalDust video he posted two days later earned him 51 million views. His videos attracted Gwanki Travels and Tours International Ltd in Kaduna, who invited him and offered him a free ticket to perform the lesser Hajj, Umrah. Beaming with happiness, Kabeer2pac declared his gratitude that he had achieved the fame he had sought and had “taranded” very well. Of course, Gwanki also trended because they were riding on his coat-tail, as it were, to advertise their services.

Reactions to Kabeer2pac’s fame and fortune were varied but predictable. Most commentators were happy for him and took umbrage at any view that condemned his behaviour as unhealthy and unbecoming. Some Muslim clerics condemned him. Others were against the money spent on his Umrah, arguing that he was young and the money should be invested in either a trade or his education. His behaviour led to copycat copying. 

Quite soon after it started trending, copycats appeared in various guises, including a cesspool girl, from dousing themselves with petrol to set fire on themselves, to having cement blocks banged on their head, to immersing themselves in a stagnant pool of waste water. In one case, a young boy entered a soak away— all in their desire to “tarand” and possibly get a free Umrah ticket.

In an RFI video interview posted on 16th April 2025, Kabeer 2pac admitted that the possibility of his social media celebrity status is likely to be short-lived, as he understands that people will soon get bored with his antics and switch to something else. But for the period he was trending, he was happy with the endorsements he received and his branching out into comedies and short dancing skits in his trademark winter jacket. 

He has accurately anticipated the ephemeral nature of his antics. About two years ago, others who trended and quickly faded away were even more famous and established what I call “celebrification culture”. The first was Ale Rufa’i Bullgates, who devised his own currency, “Gangalion”. He was followed by Ale Umar Bush, whose speciality was foul-mouthing everyone around him. Each was given a social media celebrity status – private jets, fancy meals, endorsement deals by fancy local merchants. Ale Umar Bush seemed to have a Middle-Eastern “girlfriend”. People mocked their mental health and turned them into the theatre. That was probably why Kabeer2pac prefaced his first video by proclaiming that he was not mad. 

What motivates people to watch grisly events as lookie-loos, whether on screen or in physical spaces? Kabeer2pac’s audience can be called voyeuristic or spectator audiences. Odd or outlandish behaviour fascinates them because it provides novelty, entertainment, and sometimes a sense of shock or disbelief. Due to its unconventional nature, such content often triggers curiosity, amusement, or even a desire to share with others. 

Trending Young Dangote (Sadiq Usman Ahmed, Kurmin Mashi, Kaduna)

In contrast to Kabeer2pac, Sadiq was a street hawker in Kurmin Mashi, Kaduna, whom someone tagged Young Dangote. His nickname refers to the Hausa business mogul Aliko Dangote, the richest Black man in the world at the time. Anwar Textiles Ltd discovered him at a traffic stop in Kurmin Mashi, Kaduna, on 18th May 2025, when the young lad, who looks about 13 years old, was hawking car fresheners. 

Intrigued, the videographer asked how he started the business. Beaming an incredibly infectious smile (alone enough to make you buy his ware, even if you had no intention of doing so), he said he started with ₦300 with which he used to purchase cotton buds for ₦50 and sold for ₦70-₦100, before moving to products he bought for ₦350, selling at ₦500, happy with whatever profit he made. Gradually, his capital reached ₦5,000, then ₦1000, “har jari ya kai dubu hamsin cifi cif”/up to ₦50,000 neat. He said he prefers schooling to hawking, but poverty forced him into hawking. He relates this with a devastating, charming smile and enthusiasm for his current station in life, clearly with a business goal in mind. 

Touched by his resolve to improve his business, the video was posted on Anwar Textiles’ personal account and went viral. This impressed so many people (including the Pop Cola company in Kano) that they sent their widow’s mite to Anwar Textiles to improve the boy’s capital. Some asked for an account. In a very honourable way, Anwar Textiles traced the boy’s father. They recorded a video in which the father explained their happiness about the crowdsourcedfunding efforts made by Anwar Textiles. He emphasised that they were not begging for assistance as such (they were well off, but had a bad patch in life), but are grateful to those who contribute to the boy’s entrepreneurial ambitions. An account number was given. 

By 16th May 2025, Sadiq had over ₦300,000 capital and a larger basket to hold more products, which Anwar Textiles helped to purchase for him. The balance of the money was handed over to the father. He thanked Anwar Textiles for making it possible for people to know him. He displayed his new “mobile shop” and declared, “daga nan sai ƙasar waje, inshaa Allahu”/next, overseas, by God’s grace. He also stated his intention to go back to school soon. 

I find Anwar Textiles honourable. He located the boy, helped him, and supported his family. Importantly, he did not engage the boy in a gaudy marketing gimmick for his company, as done with Kabeer2pac. The boys’ marketing strategy was brilliant, as seen in a video posted a few days later in which he persuaded a motorist to buy more car fresheners than the customer actually intended to buy!

Both of these teenage boys demonstrate what personal resolve can achieve. Through social media, each person has attained something they wanted at the beginning of their lives. Kabeer2pac’s social media platform, which thrives on trends and viral content, where the unusual or unexpected can quickly gain traction through likes, shares, and comments, further amplifying its reach, worked perfectly well. He has the fame (ɗaukaka) he strives for. 

For Young Dangote, who has no social media presence (I even doubt if he has a phone, for he would probably plough the money into his business), we see what the power of crowdfunding and simple determination can do spontaneously. Comments from those who knew the family indicated that they were stable (as indeed even the father stated), but went through a bad patch. Instead of mourning their turbulent period, Sadiq dropped out of school, picked up a basket, got some money, bought car fresheners, and started hawking them at traffic stops. The rest, as they say, is a viral history. 

Social media can be a space for what Bala Muhammad (Adaidaita Sahu) at the DEEDS Book vs Screen May 2025 KHAIRUN Dialogue refers to as “digital iskanci”—or something else. Your judgment of each is, of course, personal.

By Muhammad Abubakar

Valeria Marquez, a 23-year-old beauty influencer from Zapopan, Jalisco (Mexico), was tragically shot and killed during a TikTok livestream on May 13, 2025. Known for her makeup tutorials and lifestyle content, Marquez had nearly 200,000 followers across social media platforms.

The incident occurred at Blossom The Beauty Lounge, where Marquez worked. A man posing as a delivery person entered the salon and fatally shot her while she was streaming live. She was struck in the chest and head, collapsing on camera in a moment that quickly went viral and shocked viewers.

Authorities are investigating the killing as a femicide, a gender-based crime. Reports indicate that Marquez had previously expressed fears about threats from an ex-partner, whom she believed was behind earlier harassment.

Her death has sparked outrage and renewed calls for stronger protections against gender-based violence in Mexico, a country grappling with high rates of femicide.

By Abdullahi Mukhtar Algasgaini

The Economic and Financial Crimes Commission (EFCC) has apprehended Muhammad Kabir Sa’ad, a social media content creator, for allegedly abusing the Naira.  

The suspect, known as @youngcee0066 on TikTok and Instagram, posted a video showing him throwing Naira notes on the ground, stepping on them, and daring EFCC officials to arrest him in Hausa.  

Acting on intelligence, operatives from the Kaduna Zonal Directorate tracked him down in the Tudun Wada area and took him in for questioning.  

EFCC officials confirmed that Sa’ad will be prosecuted once investigations are concluded. The arrest serves as a warning against the misuse of the national currency.

By Muhammad Abubakar

The Kano State Hisbah Board has arrested 24-year-old Shamsu Yakubu after a disturbing video showed him allegedly licking a goat’s genitals. The footage, which circulated widely on TikTok, sparked outrage among viewers and residents.

Yakubu reportedly asked someone to film the act in a bid to gain social media fame. “I did it to trend on social media and become famous,” he admitted in the video. 

However, under interrogation by Hisbah officials, he denied fully committing the act, saying, “I swear to Allah, I did not lick the goat’s genitals. I only put my mouth around the area.”

Hisbah officials were alerted after concerned residents, angered by the video, threatened to take matters into their own hands. A community leader intervened and reported the incident to the authorities.

Speaking on the arrest, Deputy Commander-General of the Hisbah Board, Sheikh Aminuddeen Abubakar, expressed dismay over the act, calling it a violation of religious and moral values. “Sadly, a Muslim man will use his mouth to lick the genitalia of a goat, without regard to religious teachings,” he said.

Sheikh Aminuddeen revealed that both the suspect and the goat will undergo medical testing. “We will test both for possible diseases before prosecution,” he stated, adding that Yakubu would also face psychiatric and drug evaluations.

He warned others against seeking online popularity through indecent behaviour, saying, “Anybody caught bathing in dirt or charcoal under the guise of fame will be arrested and dealt with accordingly.”

The incident has reignited conversations around the influence of social media on youth behaviour, with some calling for stricter regulations and moral guidance to curb extreme acts done for clout.

By Sabiu Abdullahi 

Ramlat Princess, a TikTok skit maker, has been remanded in a correctional centre by a Sharia Court in Kano State following her arrest by the Kano State Hisbah Board. 

Reports show that Ms. Ramlat was apprehended after a video clip surfaced online, where she purportedly proclaimed herself as a lesbian. 

Operatives of the Hisbah command arrested Ms. Ramlat on Thursday, prompted by the viral clip that sparked outrage among social media users, leading to calls for her arrest. 

Upon her arraignment at the Sharia Court, Ms. Ramlat, who reportedly pleaded guilty to charges of sharing explicit material on social media and inciting public outrage, was remanded in prison custody by Judge Sani Tanimu Hausawa.

The judge scheduled a summary judgement for Monday, February 19, 2024. 

Ms. Ramlat, originally from Ghana and residing in Taraba State, claimed she was visiting her elder sister in Kano when she was arrested about a month ago. 

In the controversial video, Ms. Ramlat declared her lesbian identity, stating that any man wishing to marry her must consent to her marrying a woman as well. 

“I am a full-fledged lesbian. Lesbianism is a beautiful act that I can’t do without,” she proclaimed in the video. 

During questioning by Hisbah officials, Ms. Ramlat confirmed her involvement in the video and reiterated her stance on marriage requirements. 

The arrest of Ms. Ramlat follows a similar incident involving another TikToker, Murja Kunya, who was also arrested by the Hisbah Board and remanded in prison. 

It’s important to note that same-sex relationships, including homosexuality and lesbianism, are illegal in Nigeria, with offenders facing a minimum of 14 years in jail if convicted. 

Ms. Ramlat’s case highlights the ongoing enforcement of laws against same-sex relationships in Nigeria and the swift actions taken by authorities in response to perceived violations.