Oscars

By Maryam Ahmad

Oscar-winning filmmaker Yuval Abraham has revealed that his co-director, Hamdan Ballal, was beaten and attacked by Israeli settlers. Abraham, who co-directed No Other Land with Ballal, shared the news following their recent Academy Award win.

According to Abraham, Ballal was assaulted by a group of Israeli settlers amid escalating violence in the region. The attack has sparked outrage, with calls for accountability and protection for journalists and filmmakers working in conflict zones.

No Other Land, which won Best Documentary at the 2024 Oscars, highlights the impact of Israel’s occupation through a deeply personal perspective. The film’s success has drawn global attention to the Palestinian struggle, but its creators now face increasing threats.

Ballal’s condition remains unclear, and further details about the attack are yet to be confirmed. Human rights groups have condemned the incident and demanded an independent investigation.

By Hadiza Abdulkadir

The Oscar-winning documentary No Other Land, which portrays the displacement of Palestinian communities in the West Bank, is facing significant opposition in the United States, reigniting debates over censorship and freedom of expression.

Co-directed by Palestinian activist Basel Adra and Israeli journalist Yuval Abraham, the film documents the Israeli military’s demolition of Palestinian villages to establish a military training zone. 

The documentary has gained critical acclaim worldwide, winning the Academy Award for Best Documentary Feature at the 97th Oscars.

However, the film has struggled to secure mainstream U.S. distribution, with several screenings facing backlash. In Miami Beach, Mayor Steven Meiner called the documentary “one-sided propaganda” and “antisemitic,” pushing to terminate the lease and withdraw funding from O Cinema, an independent theater that screened the film. His actions have drawn criticism from civil rights groups, who argue that this amounts to censorship and an attack on free speech.

Yuval Abraham has condemned these efforts, calling them “very dangerous” and warning that accusations of antisemitism should not be used to silence criticism of occupation policies. 

Despite the controversy, O Cinema went ahead with its screenings, resulting in sold-out shows and additional dates being added.

The situation has sparked a broader conversation about the portrayal of the Israeli-Palestinian conflict in Western media and the limits of artistic expression. 

As the debate continues, No Other Land has become a focal point in discussions on censorship, free speech, and the complexities of Middle Eastern geopolitics.

By Habibu Maaruf Abdu

Nigeria has selected the Kannywood film ‘Mai Martaba’ as its official submission for the Best International Feature Film (IIF) category at the 97th Academy Awards, also known as Oscars.

The 15-member Nigerian Official Selection Committee (NOSC) confirmed in its official statement that the selection was made after a rigorous voting session.

Mai Martaba is a historical epic featuring 500 actors that showcases northern Nigeria’s rich cultural heritage. It tells the story of the succession struggle between competing claimants for the throne of the fictitious Jallaba Kingdom.

Reacting to the selection, the film’s director, Prince Daniel Aboki, expressed his delight, adding, “It is a privilege to represent our country at this prestigious global event.” 

He added, “Mai Martaba is more than just a story; it’s a celebration of our culture, struggles, and triumphs as Nigerians. We’re bringing the voices and stories of our people to the global stage, sharing the heart of Nigeria with the world.” 

The film, which stands as the most expensive Kannywood production, was also selected for the Septimus Awards in Amsterdam before its theatrical release in Nigeria in July 2024.

The Academy of Motion Picture Arts and Sciences (AMPAS), which organises the Oscars, confers the IFF Award yearly to a feature-length film produced outside the US with at least 50% non-English dialogue.

A shortlist of 15 finalists will be revealed on December 17, 2024, followed by the announcement of the final five nominees on January 17, 2025.

This marks the second time a Hausa film has been selected for the Oscars, following The Milkmaid (directed by Ovbiagele, 2020).

However, unlike The Milkmaid, whose Kannywood identity is disputed, Mai Martaba is a bona fide Kannywood production, proudly representing the Hausa film industry’s cinematic talent.

The 97th Oscars will be held on March 2, 2025, at the Dolby Theatre in Ovation Hollywood, Los Angeles, and will be broadcast live to over 200 territories worldwide.

By Muhammadu Sabiu

The Academy of Motion Pictures, Arts and Sciences’ Nigerian Official Selection Committee (NOSC) stated that no film would be forwarded for the 2023 Oscars.

Nigeria will not be submitting a film to the International Feature Film category of the Oscars for the second consecutive year.

The committee’s chair, Mrs Chineze Anyaene-Abonyi, apologized to the Academy of Motion Picture Arts and Sciences (AMPAS) for not being able to locate a film that satisfied the requirements for the International Feature Film category.

“Although the committee received three epic films following its call for submissions in August, it turned out that none of them will advance to the next stage owing to the voting patterns of members,” she said.

The voting, which took place on the 3rd of September 2022, amongst the 15 members of the committee, had a voting chart of 8, 5, 1, 1, with “No Film is Eligible” taking the lead.

The 15 members of the committee voted on September 3rd, 2022, and the voting chart was 8, 5, 1, 1, with “No Film is Eligible” receiving the most votes.

“Nigerian films had, no doubt, improved significantly as the awareness of the requirements has since grown among filmmakers, and potentially soon, we just might be bringing this award home in succession,” Anyaene-Abonyi also said.

To gain the necessary international exposure and position our films in its acknowledged level of creative debate, she advised filmmakers to become more familiar with Oscar-nominated movies in the International Feature Film (IFF) category.

The movie “The Milkmaid” was submitted in 2020. However, after passing the eligibility test for the first time, the Desmond Ovbiagele-produced film was disqualified because it did not make the category’s initial selection.

The Oscars disqualified Genevieve Nnaji’s “Lionheart” in 2019 for failing to meet the non-English conversation requirement.