- Company: Mai Kwai Movies
- Director: Abubakar A.S Mai Kwai
- Producer: Abdul Dan Small
- Language: Hausa
- Cast: Ali Nuhu, Aminu Sharif (Momo), Maryam Ceeter, Baballe Hayatu, Hafsat Idris, etc.
- Year: 2018
The question of whether married women should be allowed to work remains contentious in Hausa society. Modern people support the idea, while traditionalists continue to frown upon it. As the debate continues, a Kannywood production company, Mai Kwai Movies, weighs in with their film Dr. Halima.
The story revolves around the eponymous character (played by Maryam Ceeter), a PhD holder whose husband, Yusuf (Ali Nuhu), allows her to work at a construction company. Dr. Halima takes pride in her appearance and enjoys being complimented on her looks, but her husband is a rigid alpha male who dismisses that as frivolous and never cares to praise her. Instead, she receives attention and admiration from her male colleagues, whom she openly welcomes despite being married. As a modern woman, Dr. Halima doesn’t see anything wrong with dressing fashionably and being appreciated by others.
However, jealousy consumes Halima’s husband when he realises she has become the centre of attention at her workplace. He reacts by neglecting her and sleeping separately. Despite her attempts to address the issue, he turns a deaf ear, leading to growing tension and a deterioration in their marriage. Meanwhile, Halima’s colleague, Dags (Aminu Shareef Momoh), who has long harboured feelings for her, gets an opportunity to intrude into her life. He eventually succeeds in his pursuit, taking advantage of her vulnerability.
Thanks to its powerful story, the film generally captivates despite having a limited narrative hook. It succeeds in delivering its central message: that the problem with married women working is mostly not from the work itself, but from the behaviour of the women involved. When a married woman respects herself, she repels temptation, and when she doesn’t, the opposite occurs. We see how Dr. Halima attracts indecent colleagues with her scanty dress, but repels them later when she begins to dress modestly.
The film also underlines the need for effective communication in marriage and the dangers attached to neglectful relationships. We see how cold communication leads Yusuf and Halima to neglect each other and sleep separately for over three months. This emotional distance is what plays a key role in Halima’s decision to commit adultery with her colleague, as shown in the movie.
Additionally, the film introduces a moderate Fatwa that a marriage does not necessarily have to end if a wife has committed adultery. What matters most is sincere repentance and seeking Allah’s forgiveness. Ultimately, Dr. Halima repents without revealing her transgression to her husband, and they continue to live happily ever after.
On the other hand, the film falls slightly short in its technical aspects. Both sound design and editing are poorly handled. The continuity and costume use are also noticeably flawed. For instance, in one sequence, a messenger is seen meeting Dr. Halima on the company premises. However, moments later, the same messenger appears wearing a different outfit when she enters the office.
Regarding the actors, Maryam Ceeter, with her mature presence, is perfectly cast as Dr. Halima. She brings emotional depth, portraying both the confidence and vulnerability of her character. Ali Nuhu excels as Halima’s rigid husband. He gives a realistic performance, with his love for Halima subtly evident even as he distances himself from her. Aminu Momoh fully inhabits his dubious character, as he often does, using his charm and great comic timing.
Other supporting actors, including Baballe Hayatu and Hafsat Idris, are equally well-cast and perform commendably.
Overall, Dr. Halima is a compelling family drama that does full justice to its serious subject matter. While it may not be suitable for children, it is a must-watch for adult audiences. Rating: 3.5/5
Habibu Maaruf Abdu wrote from Kano via habibumaaruf11@gmail.com.