Kano

By Ummi Muhammad Hassan

Following the ban by Hisbah on a new song titled “Amana Ta” by Hamisu Breaker, social media went into an uproar, capturing the attention of the public.

In the early hours of April 24, 2025, social media was filled with reactions following a press statement issued by the Deputy Commander of the Hisbah Board, Kano State chapter, Dr. Khadija Sagir, announcing the ban of Breaker’s new song. The reason cited was that the song allegedly contains obscene language.

This announcement, however, triggered a counterreaction from the public. Many became curious to know more about the song and the so-called obscene content, with some taking to their social media handles to express their opinions.

The irony of the situation is that Hisbah unintentionally gave the song more prominence, causing it to go viral. Many people who were previously unaware of the song searched for and listened to it, just to understand the controversy.

In my opinion, after listening to the song, it contains no obscene language. Rather, the issue seems to lie with some young women who mimed the song in a suggestive manner after hearing that Hisbah had labelled it as indecent—as though to dramatize or reinforce the claim. Some even appeared as if they were intoxicated.

To me, this is both devastating and concerning, as it reflects the erosion of the strong moral standards once upheld by Hausa women. Many young people are now making videos lip-synching the song in indecent ways. It made me pause and ask myself: where has our shyness gone? I believe this question deserves a deeper conversation on another day.

In Breaker’s case, thanks to the Hisbah ban, he became the most trending Kannywood artist in April, and his song went viral—and continues to trend.

A similar incident occurred earlier this year when the federal government banned Idris Abdulkareem’s song “Tell Your Papa.” That action unexpectedly brought the artist back into the spotlight, causing the song to trend widely.

Social media has made censorship increasingly difficult. Once a movie, text, or song reaches the internet, it becomes almost impossible to control—even by the creators themselves.

While social media censorship remains a challenge, this recent incident highlights the need for the government to intensify efforts against the spread of indecent content—through Hisbah and agencies like the Kano State Film Censorship Board.

Clear guidelines should be put in place, requiring artists and filmmakers to submit their content for review and approval before public release. This, among other strategies, could help reduce the spread of inappropriate material.

Additionally, Hisbah should be more mindful of how such announcements are made, as they may inadvertently promote the very content they seek to suppress.

Ummi Muhammad Hassan, Ph.D., is a lecturer in the Department of Mass Communication at Bayero University, Kano. She can be reached via email at: ummeemuhammadhassan@gmail.com.

By Anwar Usman

The Kano State Executive Council has approved an over N51 billion for critical infrastructure and public service delivery projects across the state, as part of the administration’s efforts to enhance socio-economic development.

This was contained in a statement issued by the governor’s spokesman, Sunusi Bature Dawakin-Tofa following the 27th Executive Council meeting held on Tuesday, 28th April 2025.

According to the statement, the Council gave the green light for multiple key projects, including major road rehabilitations, installation of traffic systems, expansion of public buildings, and electrification upgrades.

Part of the approvals is the release of N5.4 billion for the rehabilitation and asphalt overlay of roads stretching from Mumbayya House to Tal’udu Junction, Gadon Kaya, Yahaya Gusau Road, and Sharada Road.

Another N3.4 billion was set aside for the provision of wireless solar traffic lights across Kano metropolitan under the Urban Renewal Program.

Additional funds were approved for the construction of Miller Road to Mission Road and the renovation of key public facilities, including the Kano Educational Resources Department and the Governor’s Lodge in Kaduna.

The Council also approved N1.46 billion for the upgrading and modernization of the Ministry of Power and Renewable Energy located in Sharada Phase I Industrial Layout.

“These approvals highlighted the administration’s commitment to sustainable urban development and improved public service delivery,” the statement revealed.

By Hadiza Abdulkadir

Nigerian scholar Professor Abdalla Uba Adamu has officially announced the publication of his new book, Hausa Cinema of Northern Nigeria: Cultural Imperialism and Censorship, a landmark work that explores the development, politics, and aesthetics of Hausa-language film across West Africa.

Published by Bloomsbury, the book is the product of over twenty years of research spanning multiple countries and academic disciplines. Rather than focusing solely on the popular commercial industry known as “Kannywood,” Adamu takes a broader approach, examining Hausa cinema in its many forms—including diaspora productions, documentaries, art films, and digital series.

“This is not just about Kannywood,” Adamu explained. “It’s about Hausa cultural expression wherever it exists, rooted in Islamicate values and media flows across the Global South.”

Completed in 2010, the manuscript faced delays and was almost shelved. However, a 2023 conference presentation and a meal hosted by Dr. Muhsin Ibrahim, where Adamu jokingly called the large waina “one terabyte,” in Cologne, Germany, reignited interest, leading to its acceptance and revision. 

The final version, praised by scholars such as Graham Furniss and Brian Larkin, will be released in July 2025.

Though priced at $130, Adamu plans to publish a locally accessible companion book titled Kannywood: A Brief Introduction later this year in Kano. It will be tailored for readers interested in a concise, less theoretical overview.

With this announcement, Hausa cinema gains its most comprehensive and scholarly treatment, firmly placing it in the global conversation about media and culture.

By Abdullahi Mukhtar Algasgaini

The Kano State Government has announced that it will not pay April salaries to its workers until each employee is physically verified in an effort to curb fraudulent salary payments.

The Secretary to the State Government (SSG), Alhaji Umar Faruq Ibrahim, disclosed this during a press briefing on the government’s measures to address irregularities in salary payments, including payments to ghost workers and deceased or retired staff.

The report revealed that at least 247 individuals have been receiving salaries illegally every month, amounting to over ₦28 million in wasted funds.

According to Alhaji Umar, these fraudulent payments stem from local government areas and some state agencies.

“Starting from the end of April, every worker must present themselves physically and complete the necessary documentation before receiving their April salary,” he stated.

He noted the difficulties workers may face but urged patience and cooperation to ensure the process is successful.

The SSG added that salary payments for April will begin this week, but each employee must undergo verification using their National Identification Number (NIN) and Bank Verification Number (BVN).

He appealed to workers to understand the government’s position, adding that the new measures are not meant to punish employees but to correct systemic flaws and ensure transparency.

By Uzair AdamThe Joint Admissions and Matriculation Board (JAMB) has officially launched the 2025 Unified Tertiary Matriculation Examination (UTME) for special needs candidates across the country.

The initiative is part of JAMB’s commitment to ensuring that no Nigerian student is excluded from pursuing higher education.

At a press briefing held at the BUK’s School of Continuing Education in Kano, Prof. Muhammad Yahuza Bello, Coordinator of the Kano Centre for the JAMB Equal Opportunity Group (JEOG), explained that over 500 special needs candidates are participating in the exams at 11 centers nationwide.

The Daily Reality gathered that the Kano Centre alone is set to host 92 candidates from across Kano, Jigawa, Katsina, Zamfara, and parts of Kaduna states.

Prof. Bello clarified that the examinations, while tailored to meet the needs of candidates with disabilities such as visual impairments, autism, Down syndrome, and albinism, are of the same standard as those for regular candidates.

“The goal is to ensure that these candidates are not disadvantaged when competing for university placements,” he said.For the first time this year, special needs candidates are writing Computer Studies as part of their UTME subjects, marking a significant step toward inclusivity.

“This is a major breakthrough, with candidates from Kano and Lagos leading the way,” Prof. Bello added.

JAMB’s commitment to inclusivity is further reflected in the special accommodations provided, including free accommodation, feeding, and transportation for the candidates.

Additionally, candidates who meet specific requirements, like uploading their O’ Level results with at least five credits, are eligible for a refund of their registration fees.

The initiative, which started in 2017, has steadily grown under the leadership of JAMB Registrar Prof. Is-haq Oloyede, who emphasized that the examinations must maintain the same rigorous standards as those for regular candidates to ensure fairness and equal opportunity.

Prof. Bello also highlighted the support the Kano Centre receives from local institutions such as Bayero University and the Department of Special Education, which help to facilitate the smooth conduct of the examination process.

He added that the 2025 UTME for special needs candidates is yet another milestone in JAMB’s ongoing effort to promote an inclusive education system, ensuring that every Nigerian child, regardless of their condition, has a fair chance to succeed academically.

By Abdullahi Mukhtar Algasgaini

The power struggle within the Kano Emirate has escalated as both Emir Aminu Ado Bayero and reinstated Emir Muhammad Sanusi II have appointed different individuals to the prestigious Galadiman Kano title.

Emir Aminu Ado Bayero approved Alhaji Sanusi Ado Bayero, eldest son of the late Emir Ado Bayero, for the position, with his installation set for May 2, 2025.

Meanwhile, Emir Sanusi II had earlier named Alhaji Munir Sanusi Bayero as Galadiman Kano on April 9, filling the vacancy left by the late Alhaji Abbas Sanusi.

The conflicting appointments highlight the ongoing feud between the rival emirs, stemming from Sanusi II’s controversial reinstatement.

The situation raises concerns over further division in the historic emirate.

By Anwar Usman

The Kano State Governor, Abba Kabir Yusuf, has signed into law four landmark bills that establish new agencies designed to strengthen institutional frameworks and accelerate sustainable development across the state.

This was made known in a statement issued on Thursday by the governor’s spokesman, Sunusi Bature Dawakin Tofa.

The new laws provide for the establishment of the Kano State Protection Agency, the Signage and Advertisement Agency, the Information and Communication Technologies Development Agency, and the Small and Medium Enterprises Development Agency.

According to the statement, these laws, which are now part of the Kano State legal framework, are expected to stimulate innovation, support small businesses, regulate signage and advertising, and enhance public protection and service delivery.

The governor described the signing as a significant step toward realising his administration’s vision of a modern, inclusive, and economically vibrant Kano.

He reiterated that the new agencies will play a vital role in job creation, investment attraction, and the efficient implementation of government initiatives.

“Our mission is to lay a solid foundation for a greater Kano. These laws go beyond policy — they are key instruments of transformation that will help drive our development agenda,” the governor stated.

The governor further warns that, violations of the provisions of these laws would attract strict penalties, reaffirming his administration’s commitment to upholding the rule of law and ensuring compliance.

The establishment of these agencies reflects Yusuf’s continued efforts to reform public institutions, improve governance, and position Kano as a leading centre for innovation, entrepreneurship and sustainable growth.

By Abdullahi Mukhtar Algasgaini

The Kano State Hisbah Board has dismantled an unauthorized pilgrimage site in the Dakata Industrial Area after false claims spread that the spot bore the footprint of Prophet Muhammad (PBUH).

The site attracted large crowds when a muddy imprint and seeping water led to rumors of divine healing powers.

Videos showed people bathing in, drinking, and collecting the water while performing religious rites.

Deputy Commander Muhahideen Aminudeen of the Hisbah Board dismissed the claims as baseless, stating that the Prophet never visited Africa.

He warned against the health risks of consuming the water and urged the public to seek proper Islamic knowledge.

No arrests have been made, but authorities are investigating the source of the misinformation.

By Salihi Adamu Takai

Farida Musa Kalla(FMK) should be the exact definition of the Hausa woman in Kano, not as some of themmischievously intend to misrepresent to the world, being a hope of a lavish and luxurious life without a purpose in their matrimonial home. 

FMK, a woman who married her husband in her early years during her university days, uses her courage and ambition to define how women should be. She has steadfastly retained her femininity, contrasting with how others view them. 

Women are not a liability and shouldn’t be seen as such, neither by how “feminists” position them nor through the extremism of “masculinists.”

I was on Facebook, browsing my timelines when I came across a video on the DCL Hausa Page featuring an interview with Farida Musa Kalla, the CEO of FMK Nigerian Ltd. The program is titled “Sirrin Ɗaukaka,” and it invitesindividuals whose names trend in the media. 

In the interview, FMK disclosed how she started the business with a bit of capital of 30k in her matrimonial home. She used the market tactics she’s known for to advertise her business, recording videos for the materials she sells. This was the first time her name started coming to the media—Facebook, X, and YouTube.

As she improved the business, her husband advised her to put 600k in the business, given to her by her mother, to buy a car. According to her, this 600k expanded the business and blessed it in every second. And today she runs the business with hundreds of millions. 

As FMK’s business improves and gains recognition in the market, she poses a threat to prominent marketers in Kano, such as Mudassir & Brothers. They have started to adopt her market strategies — using videos to unveil their faces as the CEOS of their company, as she has been doing.

Interestingly, FMK has not been using immoral activities just to advertise her business, but rather strategies that are not questionable for a married woman. 

FMK should be a challenge to all the women in Hausa land who think that they’re a liability to their husbands, as they “belong to the kitchen,” as propagated by the immediate former President of the Federal Republic of Nigeria, Muhammadu Buhari.

Salihi Adamu Takai wrote via salihiadamu5555@gmail.com.

By Huzaifa Dokaji

Kano is not a place you reduce to a headline or dismiss with a stereotype. It is a city with too many layers for that—too much memory, too many voices. This is the Kano of Muhammadu Rumfa, the ruler who gave it form and vision, and of Ibrahim Dabo, the scholar-king. The Kano of Kundila and Dangote, where wealth meets ingenuity.

It is the Kano the British once described as the ‘London of Africa,’ the Tripolitans praised as ‘a city like a thousand others’, each one magnificent—and its own people, knowing its complex social and ideological chemistry, named tumbin giwa, the intestine of an elephant: vast, winding, and full of hidden depths.

Kano has always carried many lives at once. It is the home of Shehu Tijjani Na Yan Mota and the sanctuary of Abdullahi dan Fodio when he felt the revolution had been betrayed. It is Madinar Mamman Shata and the home of Aminu Ala, the author of the philosophical Shahara and masterfully composed Bara a Kufai. This is the same Kano that made Dauda Kahutu Rara, the master of invective lyrics, and Rabiu Usman Baba, the Jagaban of Sha’irai.

Here, contradictions do not cancel each other, they coexist. It is the city of yan hakika and yan shari’a, of Izala and Tariqa, of Shaykh Rijiyar Lemo and of Shaykh Turi. It is the Kano where people will argue passionately about doctrine, then share tea afterward. Where silence and speech, mysticism and reform, are all part of the same long interesting yet boring conversation.

This is the Kano of the diplomatic Emir Ado Bayero and combatant Muhammad Sanusi II. Of Rabiu Kwankwaso, the red-cap-wearing jagora, and of the agreeable Ibrahim Shekarau. It is that same Kano of the incorruptible Malam Aminu Kano and Dollar-stuffing Ganduje. The cosmopolitan city of Sabo Wakilin Tauri and of the saintly Malam Ibrahim Natsugune.

If not Kano, then what other city could birth Barau Kwallon Shege, the bard of the profane, and welcome Shaykh Ibrahim Nyass, the towering saint of the mystics? Where else but Kano would you find Shaykh Nasiru Kabara- scholar and Sufi master- sharing the same cityscape with Rashida Yar Daudu and all the remembered and forgotten Magajiyoyin Karuwai? This is the Kano of yan jagaliya and attajirai, of the sacred and the profane, the pulpit and the street. The Salga and of Sanya Olu and Ibedi streets. Kano has never pretended to be a city of one truth, its greatness lies in the multitude it carries.

So when people speak carelessly about Kano, they miss the point. Kano is not a relic. It is alive. It debates itself. It holds its tensions with pride. And like Adamu Adamu said, “the story of this enigmatic city is simple and straight backward – and , in the end one can only say Kano is Kano because Kano is Kano – and that’s all; for; it is its own reason for being.”

You don’t explain Kano. You respect it.

Huzaifa Dokaji is a PhD student and teaching assistant at the Department of History, State University of New York at Sony Brook. He can be reached via huzaifa.dokaji@stonybrook.edu.