Kano State

By Prof. Abdalla Uba Adamu

An industry is a system made up of interconnecting parts that synchronise together to create a perfect dynamic and functional entity. However, there is a central creative focus. Thus, while no one can claim to have been the actual originator of commercial Kannywood since many people – and processes contributed to its development – nevertheless, the creative spark that lit the fire of Kannywood was the late novelist Aminu Hassan Yakasai. If one person can be credited with creating the industry, it was him and only him. 

In the late 1970s, the Nigerian film director Ola Balogun directed two successful Yoruba films. The first, “Ajani Ogun”, was co-produced with the actor Ade Love. The second, “Ija Ominira”, starred Ade Love. Hubert Ogunde, a famous Yoruba travelling theatre showman, decided to join the trend. He invited Ola Balogun to direct Aiye, which was hugely successful and led to a follow-up, Jaiyesinmi. 

These Yoruba films found their way to Kano’s bustling “stranger” (or, more appropriately, “guest settlers”) communities of Sabon Gari in the 1980s, where they were shown in cinemas and hotel bars. This attracted the attention of Hausa amateur TV soap opera stars and crew, such as Bashir Mudi Yakasai (cinematographer), Aminu Hassan Yakasai (scriptwriter) and Tijjani Ibrahim (director). Surprisingly, despite the massive popularity of Hausa drama in television houses and government financial muscle, the idea of full-scale commercial production of Hausa drama episodes by the television houses was never considered. Individuals wishing to own certain episodes simply go to the television station and pay the cost of the tape and a duplication fee, and that was it. There was no attempt to commercialise the process on a full scale. 

In the same period, the northern cities of Kano, Kaduna, and Jos benefitted immensely from the massive transfusion of modern media influences caused by not only a liberal society but also the tolerant interaction of diverse cultures and religions in the same public spaces. They were, undoubtedly, the creative hubs of northern Nigerian popular culture. Jos was famous for its vibrant nightclub and music scene. Kaduna also had a rich musical heritage, coupled with a TV culture. Kano was more muted and relied on music and club life inflows to Sabon Gari from other regions. 

However, one aspect of popular culture Kano had that was absent in Kaduna and Jos was prose fiction. While other cities were grooving the night away, residents of Kano were burning the midnight oil. The first published modern Hausa fiction was “So Aljannar Duniya” by Hafsat AbdulWaheed from Kano in 1980`. It opened the floodgates and led to hundreds of novelists creating a whole genre of African indigenous fiction referred to informally as Kano Market Literature. 

Also, at the same time, Kano had many drama groups that enjoyed stage plays that were often improvisational and not based on any script but with a general focus on social responsibility. These drama groups became spawning grounds for those who established the Kannywood film industry. These included Tumbin Giwa Drama Group (Auwalu Isma’ila Marshall, Shu’aibu Yawale, Ibrahim Mandawari, Adamu Muhammad, Ado Abubakar, Jamila Adamu. (Gimbiya Fatima), Hajara Usman, Ɗanlami Alhassan, etc.), Jigon Hausa Drama Club (Khalid Musa, Kamilu Muhammad, Fati Suleiman, Bala Anas Babinlata), Tauraruwa Drama & Modern Film Production (Abdullahi Zakari Fagge, Shehu Hassan Kano, Iliyasu Muhammad, Hajiya Rabi Sufi, Auwalu Ɗangata, Ado Ahmad G/Dabino, Asama’u Jama’are), and Hamdala Drama Wudil ( Its members include Rabilu Musa Ɗanlasan (lbro), Mallam Auwalu Dare, Ishaq Sidi Ishaq, Bappah Yautai, Bappah Ahmad Cinnaka, Haj. Hussaina Gombe (Tsigai), Shua’ibu Ɗanwamzam, Umar Katakore etc.) There were many more, of course, but these were foundational to Kannywood. 

The TV shows from then Radio Television Kaduna were gripping and inspiring to these drama groups. TV show stars that became role models to these Kano drama groups included Ƙasimu Yero, Usman Baba Pategi Samanja, Haruna Ɗanjuma, Harira Kachia, Hajara Ibrahim, Ashiru Bazanga (Sawun Keke) and others. 

Thus, it was that at the time of producing Bakan Gizo in Bagauda Lake Hotel 1983 to 1984 Aminu Hassan Yakasai, Ali “Kallamu” Muhammad Yakasai, Bashir Mudi Yakasai started strategising creating a drama for cinema settings (thus Kannywood was often seen as the creation of a ‘Yakasai Mafia’ as those from Yakasai dominated its creative direction!).

The tentative title of the film they were thinking of shooting was to be called Shigifa. It was a story of four unemployed graduates thinking about setting up a company – a departure from the romantic or comedic focus of then-then-popular TV shows. A script idea was floated, and Aminu Hassan Yakasai was to be the scriptwriter. However, before the idea matured, the group started getting contracts for video coverage of social events, etc. Actually, part of the coverage was also stored as footage, although the film was not eventually made. 

The precise decision to commercialise the Hausa video film, and thus create an industry, was made by Aminu Hassan Yakasai in 1986, with technical support of Bashir Mudi Yakasai, the leading cinematographer in Kano, and Tijjani Ibrahim, a producer with CTV 67. 

Aminu Hassan Yakasai was a member of the Tumbin Giwa Drama Group. He was also a writer and a member of the Raina Kama Writers Association, which spearheaded the development of what became known as Kano Market Literature in the 1980s. Thus, the idea of putting Hausa drama—and extending the concept later—on video films and selling it was a revolutionary insight, simply because no one had thought of it in the northern part of Nigeria. The project was initiated in 1986, and by 1989, a film, Turmin Danya, had been completed. It was released to the market in March 1990—giving birth to the Hausa video film industry. Salisu Galadanci was the producer, director, and cinematographer, while Bashir Mudi Yakasai provided technical advice. 

The moderate acceptance of Turmin Danya in Kano encouraged the Tumbin Giwa drama group to produce another video, Rikicin Duniya in 1991 and Gimbiya Fatima in 1992 — all with resounding success. By now, it was becoming clear to the pioneers that there seemed to be a viable Hausa video film market, and this viability laid the foundation of the fragmented nature of the Hausa video film industry. While organised groups formed to create the drama and film production units, individual members decided to stake out their territories and chart their future. Thus, Adamu Muhammad, the star of Gimbiya Fatima, decided to produce his own video film, independent of the Tumbin Giwa group in 1994. The video film was Kwabon Masoyi, based on his novel of the same name, and outlined the roadmap for the future of the Hausa video film. At the same time, it sounded the death knell of the drama groups. This was because Aminu Hassan Yakasai, who created the very concept of marketing Hausa video films—and thus created an industry—broke away from Tumbin Giwa and formed Nagarta Motion Pictures. Others followed suit.

Other organised drama groups in Kano did not fare too well either. For instance, Jigon Hausa, which released a genre-forming Munkar in 1995, broke up with the star of the video film, Bala Anas Babinlata, forming an independent Mazari Film Mirage production company (Salma Salma Duduf). Similarly, Ado Ahmad Gidan Dabino broke away from Tauraruwa Drama and Modern Films Production (which produced In Da So Da Ƙauna) and formed Gidan Dabino Video Production (Cinnaka, Mukhtar, Kowa Da Ranarsa). While Garun Malam Video Club produced Bakandamiyar Rikicin Duniya, written by Ɗan Azumi Baba, after the video film was released, Baba left the group and established RK Studios (Badaƙala). 

From field studies and interviews with the producers in Kano, most of these break-ups were not based on creative differences but on financial disagreements or personality clashes within the groups. The number of officially registered “film production” companies in Kano alone between 1995 and 2000 was more than 120. There were many others whose “studio heads” did not submit themselves to any form of registration and simply sprang into action whenever a contract to make a film was made available. 

Interestingly, Adamu Muhammad of Kwabon Masoyi Productions produced the first Hausa video film entirely in English. It was “House Boy”. Although it was an innovative experiment by a Hausa video filmmaker to enter into the English language video genre, it was a commercial disaster. Hausa audience refused to buy it because it seemed too much like a “Nigerian film”, associating it with southern Nigerian video films. When the producer took it to Onitsha—the main marketing centre for Nigerian films in the south-east part of the country—to sell to the Igbo marketers, they rebuffed him, indicating their surprise that a Hausa video producer could command enough English even to produce a video film in the language. Further, the video had no known “Nigerian film” actors and, therefore, was unacceptable to them. Thus, the Hausa audience rejected it because it looked too much like a “Nigerian film”, while non-Hausa left it because it used “unknown” Hausa actors, so it must be a Hausa film, even though the dialogue was in English!

Tragically, Aminu Hassan Yakasai died in an automobile accident on Saturday, June 16, 2001, on his way to Katsina to participate in a film, “Arziki da Tashin Hankali”.

By Prof. Abdalla Uba Adamu

It is not every day that a series of coincidental events converge. Like the passage of Haley’s Comet, these events happen only once in one’s lifetime. I am eternally grateful to Allah (SWT) for enabling me to witness one of these coincidental events. 

While still in active service in the university, where I have been for the last 43 years, I feel fulfilled that three of my students who became my colleagues and friends in the Department of Education have now become Vice-Chancellors in the same period within three years of each other. These are Prof. Sagir Adamu Abbas (VC Bayero University Kano, 2020), Prof. Abdulrashid Garba (VC, Khalifa Isyaku Rabi’u University Kano, 2023) and the most recent, Prof. Muhammad Ibrahim Yakasai (VC Sule Lamido University, Kafin Hausa, Jigawa State, 2023). 

During their career development, I nicknamed them “The Three Musketeers” because of their closeness to each other, coupled with the almost military approach they adopted to their career. They started their doctoral studies at the same time, finished at the same time, rose and became professors at the same time! Each was highly focused with a target in mind. Each has proven his mettle scholastically – with each spending extended periods as a Visiting Professor in foreign universities. The research area of each of them was truly a contribution to knowledge in the discipline. 

The term I chose to describe them is based on characters in a novel by Alexandre Dumas in 1844 called “The Three Musketeers”, which describes the adventures of three-foot soldiers who were close pals. I consider myself part of them because they are individually my friends. And these three Vice-Chancellors are really close, not just as professional colleagues but their families are also close. 

Of course, besides myself, they had other tutors in the Faculty of Education (Bayero University Kano). Still, I am the only one remaining out of all those who tutored them since all the others have retired. I am, therefore, the Last of the Mohicans (another literary reference, this time to James F. Cooper, 1826) and had the unique opportunity of seeing his career convergence in December 2023 when Prof. Muhammad Ibrahim Yakasai was appointed the Vice-Chancellor of the Sule Lamido University, Kafin Hausa, Jigawa State. 

It is a rare opportunity to see a celebration of such success, humility and friendship in each of them. Allah Ya taya su riƙo, amin.

• Director: Muhammad Galadima
• Producer: Ali Saidu Worthme
• Company: Jammaje Productions
• Language: English
• Release Date: 26th December, 2023
• Cast: Hajara Yusuf, Magaji Mijinyawa, Abba Zaki, Billy O, Tijjani Faraga, Mustapha Musty, and others.

The Princess of Galma is another ‘Kannywood film in English’ from the promoter of the genre, Malam Kabiru Musa Jammaje, who has produced a few others before. The film was screened during an annual event, ‘Jammaje Day’, attended by hundreds of English language enthusiasts. Jammaje seems to have made the event a new way for showing his English movies as the attendees clearly make the audience he targets.

Despite its glorious title, The Princess of Galma is neither a historical drama nor an epic adventure. It’s a regal fiction set in a contemporary, fictitious kingdom, Galma, where King Ahmadu (Magaji Mijinyawa) suffers from a serious illness. The film begins with King Ahmadu’s illness, which caused widespread concern in the kingdom. His only daughter, Princess Nafisa (Hajara Yusuf), is deeply worried about her father’s deteriorating health condition. 

Meanwhile, the kingdom’s cabinet deliberates on the succession dilemma, as tradition dictates that the one who marries the princess inherits the throne. This makes Waziri (Tijjani Faraga), a cabinet member, send his son Sahabi to propose to the Princess. But she promptly rejects him despite his being a royal son and the most handsome young man in the Kingdom. The ensuing drama unveils Waziri’s struggle, the princess’s personal choice, and more…

Although the plot has its share of clichés, it maintains a reasonable flow, ensuring no dull moments throughout the story. But the screenplay runs too fast to a hasty finish. It would have been better if it had more scope, especially for Waziri’s secret schemes and the Princess, who suffers magic afflictions.

Beyond its regal and romantic themes, the film emphasises the healing power of prayers. We see how the prayers heal the king after everyone has begun to despair. It also highlights the prevailing theme of good triumphing over evil, as depicted in Sahabi’s loss of the princess despite his father’s magical attempt to acquire her. Besides, it also subtly addresses big security challenges in northern Nigeria.

The film also tries to be brim-full of cultural showcase but falls short of capturing the intrinsic value it truly deserves. It lacks the seriousness and dramatic intensity expected in a movie of its genre. The technical aspects are also average. A film like this should be carefully produced with a considerable budget to get the required impact. 

However, the English usage is generally flawless. The dialogue is captivating, and the actors deliver their lines remarkably. A few scenes were rendered entirely in the Hausa language, with others having lots of code-switching and mixing to accentuate comical effects and cultural representation.

On the other hand, all the actors try to pull off a good performance, especially Hajara Yusuf, who perfectly fits the role of Princess Nafisa and delivers her lines effectively. Abba Zaki leaves an impression in a brief role as the man of Nafisa’s dream. The scenes where he expresses his love for her captivate the most. Also, Billy O. gives a very real performance, similar to Malam Abdulhadi. The comic gestures he portrays get the audience laughing throughout.

Finally, The Princess of Galma qualifies as a worthy addition to Kannywood’s archive of English movies. It has little novelty but offers much to keep you glued to the screen. I commend the efforts of the director (Muhammad Galadima) and all the cast and crew members. Rating: 3/5.

Reviewed by Habibu Maaruf Abdu

habibumaaruf11@gmail.com

By Amir Abdulazeez

Sometime in 2006, I walked into the famous Gidan Akida building, the then-Kano State headquarters of the Advanced Congress of Democrats (ACD), a new party formed by the breakaway PDP faction. I was there to inquire about how lowly-placed people like us can actively participate in the development of the party. The State Public Relations Officer told me that I have the option of choosing to belong to any of the four main houses within the party: Muhammad Abubakar Rimi, Malam Musa Gwadabe, Alhaji Gwadabe Satatima and Ghali Umar Na’Abba.

When the PRO heard that I cherished them all but wanted to work in the Na’Abba camp, he congratulated me for working under a disciplined, courageous and principled politician. Unknown to him, I had already known Ghali Na’Abba some ten years before, maybe earlier. Apart from being too young to know much about the other three political leaders practically, I have taken time to follow the stewardship of Ghali Na’Abba as the Speaker of Nigeria’s House of Representatives for the better part of 1999-2003. 

In that same year, 2006, Na’Abba was declared for the Kano State Governorship. I was genuinely convinced that if elected, he would make Kano one of Nigeria’s most disciplined and organised states. His discipline, confidence and organisation have often been misunderstood as arrogance. On this, he has cleared the air on many occasions. From what I know of him, he was a man of few words expressed only when necessary; he has a gentle and reserved personality, which makes him never delve into affairs that don’t concern him. 

I remember working with like-minds to engage in one of the best intellectual mobilisations any young undergraduates could do to garner support for Na’Abba to become Governor then. Unfortunately, he withdrew from the governorship race some weeks before the Action Congress (AC) primary elections. This new party was the product of a merger between ACD, Bola Tinubu’s Alliance for Democracy (AD) and other groups. Ghali’s withdrawal speech wasn’t detailed, but his arguments were that the process was too manipulated for any honest and disciplined aspirant to withstand. I think that was the last time Ghali contested for any position in his political career.

Ghali Umar Na’Abba was more than a political figure—a beacon of integrity, courage, and unwavering dedication to Nigeria. As a former Speaker of the House of Representatives, his legacy resonates far beyond his political tenure. Na’Abba’s commitment to democratic values and principles shaped the course of Nigeria’s political landscape. His leadership during a critical juncture in Nigeria’s history marked him as a staunch advocate for transparency and accountability.

Beyond politics, Ghali Na’Abba was a symbol of resilience and fearlessness, unafraid to challenge the status quo for the betterment of his nation. His vision for a prosperous, united Nigeria was evident in every action and word he spoke.

Na’Abba’s tenure as the Speaker of the House of Representatives marked a significant chapter in Nigeria’s political history. He was known for his principled stance and his assertive approach to upholding the legislature’s independence and separation of powers, particularly in the face of President Olusegun Obasanjo’s bullish administration.

The Fourth Republic in Nigeria was still in its infancy when Na’Abba assumed the role of Speaker. With the country transitioning from years of military rule to a democratic system, the political landscape was rife with challenges. However, Na’Abba brought to the forefront a blend of experience, political acumen, and a commitment to legislative oversight. He staunchly believed in the autonomy of the legislative arm of government and its pivotal role in checking the excesses of the executive. This belief set the stage for numerous clashes between the National Assembly, under Na’Abba’s leadership, and Obasanjo’s administration.

Obasanjo could not have the audacity to unleash his anti-democratic tendencies until Na’Abba left the Speakership in 2003. Every Nigerian who witnessed the two tenures of Obasanjo (1999-2007) will testify to this. During his tenure, Na’Abba led the House of Representatives with a firm hand, asserting the legislature’s independence and challenging executive actions deemed against the national interest. One of the notable confrontations arose from the legislature’s insistence on its oversight function. Na’Abba’s House of Representatives was resolute in investigating various issues, including allegations of corruption within the government, regardless of pressure from the executive arm.

Sadly, today’s many young political followers did not have the opportunity to witness and be inspired by the era of great and principled leaders like Ghali Na’Abba. They are unlucky and unfortunate to find themselves supporting reckless crooks and shameless greedy people who have turned them into sycophants, social media warriors and other roles that have kept them perpetually stupid. These are some of the reasons that have kept Na’Abba on the sidelines since 2007. 

Since 2007, whenever Ghali has attempted to reactivate his participation in Nigeria’s political landscape, he has immediately realised there is no space for disciplined people like him. Rather than adjust and follow the trend, he simply retreats and faces his private issues. He had always chosen integrity over selfishness. In 2011, his house was burned down in Kano by hooligans because he supported President Jonathan. I have never heard him complain publicly about this treatment meted out to him by his people. As always, he was calm, reserved and simply forged ahead. That was how he permanently minded his business away from the murky, dirty and irresponsible waters of Nigerian partisan politics.

Today, 27^th December 2023, we have lost Ghali Na’Abba, a few months after turning 65 and almost exactly one year apart from the death of his mother, another woman of trust, integrity and kindness. May Allah have mercy on them both. His legacy lives on as an inspiration to current and future leaders. Ghali’s contributions to Nigeria’s democratic journey will forever be remembered and cherished, a testament to the enduring power of principle-driven leadership.

At a point when Kano’s reputation soared by the Salisu Buhari Toronto certificate scandal, Ghali Na’Abba, his successor as Speaker, worked diligently to give the state a good name nationally and even globally. His active career was short-lived, but he managed to enter the comity of the political all-time greats in the history of Kano State. It now remains to see how the current custodians of the state will work to have his name honoured and legacies preserved. 

After surviving numerous blackmails, countless threats, and several impeachment attempts as Speaker, President Obasanjo later ganged up with his foot soldiers and garrison commanders in Kano to deny him a return to the National Assembly in 2003. First, they failed to stop him from getting the Kano Municipal PDP ticket, and then they later ganged up to work against him and their own party in the General Elections, and they succeeded. The fall of Ghali Na’Abba marked an abrupt end to the era of Legislative Independence and Political courage in Nigeria.

Twitter: @AmirAbdulazeez 

By Abbas Datti

In this political landscape, a legislator’s success is defined by the number of bills he sponsored and his contributions during plenary sessions within the hallowed chamber. Also, the impactful work he does in his community reveals the true character of a public servant. In this regard, the former Member of the House of Representatives, Fagge constituency, Rt Hon Aminu Suleiman Goro, stands tall as a shining example of dedication and selflessness as we compare his accomplishments to those of the incumbent Rep Member, Barr. Muhammad Bello Shehu.

Aminu Suleiman Goro served well as a Fagge Member of the House of Reps, and during his time, he left an indelible mark on our community. His commitment to the welfare and prosperity of Fagge’s constituents was unwavering, from improving infrastructure to advocating for better educational opportunities and carrying all constituents along when making decisions.

One of the most notable achievements during Aminu Goro’s tenure was the successful chairmanship of the House Committee of Tertiary Education and Services, which saw the establishment of numerous Universities, federal Colleges of education, and many more tertiary institutions. 

Goro’s massive empowerment programs supporting women and the vulnerable with small businesses, promoting job creation, and investing in infrastructure projects helped breathe new life into Fagge communities. Unemployment rates fell, and new businesses flourished, bringing economic stability to Fagge constituents.

Education was also a top priority for Aminu Suleiman Goro. He fought for increased funding for universities and tertiary institutions, ensuring our children had access to quality education. Fagge constituents benefitted immensely from the federal government scholarships and educational programs, providing opportunities for Fagge youth to thrive.

In a bewildering contrast, Barr. M.B Shehu has failed to carry the torch of progress set by his predecessor. Key initiatives initiated during Goro’s term have been left in limbo, and we have seen a noticeable lack of enthusiasm for addressing the issues that matter most to Fagge constituents.

Despite Aminu Suleiman’s legacy, M. B Shehu has not shown the same commitment to improving lives and schools or ensuring job opportunities. Constituents have felt the difference, and it’s time we reflect on what we’ve lost since the change in representation.

Goro served the Fagge constituency with dedication and a genuine desire to improve the lives of the people he represented. His legacy shines brightly when compared to Barr. Muhammad Bello has not been able to continue the trajectory of works that Goro established. 

Abbas Datti writes from Kano via abbasdatti448@gmail.com.

By Ahmad Deedat Zakari

The Nigeria Custom Service, NCS, has raked in the sum of N6.9 billion for the month of November in Kano State.

The Comptroller of the NCS in the State, Dauda Ibrahim Chana, made the disclosure to the press on Monday.

The Kano Area Command of the NCS covers both Jigawa and Kano State respectively.

Mr Chana also disclosed that the NCS had seized goods that were being smuggled into the country.

“We have also seized 2,817 bags of foreign rice, 1,428 pieces of used tyres, 250 Jerry cans of 25-litre vegetables oil and 690 cartoons of foreign soap.

“Other seized items are, 429 bales of second-hand cloths, 1,226 packages of royal tramadol, 470 blocks of compressed Indian hemp and 1,530 cartons of foreign spaghetti.” He said

The comptroller added that the command had introduced more sensitive security measures to prevent all forms of smuggling in the area.

“We have already positioned our officers at strategic locations to deal decisively with all those involved in illegal materials,” he told newsmen

He said that the area command had ordered the deployment of officers to border posts in Maigatari in Gumel Local Government area of Jigawa to intensify efforts at mitigating activities of smugglers.

The comptroller enjoined residents in the state to embrace local goods and shun all forms of illegality.

By Sani Umar Adamu

It’s said “An injustice to one is an injustice to all”. The cursory in justice would be an insincere simulacrum that spells the rogue society, but only to who knows must say the least. Going by the saying ‘what the heart thinkenth the tongue speaketh’ with all viable indications the awaiting judgement would not serve and do away with stud whom were racing to twist the world known mandatory, just on the floor of pristine judgement which by the way would be the Nigeria’s biggest justice robbery.

Abba was returned elected and officially declared winner by the INEC, the election which was supervised by both the internal and external observers was believed to be freed from any howl, in fact; it was an afflatus to stimulate by other states. Only greedy and depredator would cease the rectitude of the election and thinkenth to reverse the will of millions. We have known that the only substitute to the lies and unfairness is shaping the mendacity to bring in seizing, itch and threatening of the democracy. 

We became tootles in reticent the voices of our concern are in taciturnity where we no longer feel the pain in others; the pain of my neighbor is no longer threatening, as if telling the truth is synonymous to being a workshy. The naked truth has become something invisible – that which can not be seen simply because the ambitions and hopes are tied to president’s apron string. To cleanse the Augean stable – we definitely need to voice up our concern learn from the history of Hercules who was to clean the stables of Augeas King of Elis in which were 3000 oxen and which stables had not been cleaned for thirty years. Hercules performed the task in a single day by leading the rivers Alpheus and Peneus through the farmyard… this is to show how quality of trusting and voicing the concern is. So on no account we should lay out our hands, our voices and our fortitude to this least moiety-imballlance  we have received from the judgement of the Kano state governor. With menacle or co-adjutor, with wantonness or pride we all have to coalesce to break the unspeakable inept trench drawn between justice and injustice. 

To secret or not to do the Injustice is lethal and apparently we shouldn’t live in negation to it’s very existence, the wrath horror would summon the every existence of our survival. And when the fury unleash it wouldn’t spare the opulents or the one in abject poverty we all be the receiving edge and in the midst the pollutants disseminate the unity in our lands and finally mock the affirmation of our peaceful coexistence. 

A close shave to this prospicience is to replete the almost will of justice towards its impartial equilibrium. That’s the Justice must be served in no conjunction or appeliation to party membership, it should be served on the ground of impartiality. The crooked or inanimate cupidity to topple the incumbent and democratically elected Governor will be checked  and stopped on the spot. It’s truly beyond comprehension to figure out why all this hatred in the name of polity? Comparisons are odious, and an empty bag will not stand upright. Decisively this justice miscarriage sensed the intended failure to oust the duly elected Governor. At length the plutocracy is in sight and this will bring the collapse of our youngish democracy and it’s an injure to the prescribed rule of law and when this happens just wait for the time to commiserate the down fall of the entire system at large.

Sani Umar Adamu (Kawun Baba) can be reached via umarhashidu1994@gmail.com.

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By Dr Sagiru Mati

I was one of the beneficiaries of the 501 Scholarship Scheme during the Kwankwaso-Ganduje administration in 2012. Eleven of us were selected to pursue Master’s Degrees in Civil Engineering, Economics, and Software Engineering at Near East University. All expenses for tuition, accommodation, meals, a monthly stipend of four hundred US dollars ($400), flight tickets, and other necessary costs were covered and transferred to the university’s account. Towards the end of our program, an additional one thousand US dollars ($1,000) per person was also provided as a ‘thesis allowance.’ We are grateful to the Kano State government for this, and we hope that all scholarship schemes can be as hitch-free as ours.

Upon completing our master’s programs, approximately 50 students of Kano origin, primarily teenage girls, were transferred from India to Near East University. Additionally, a new group of undergraduates and post-graduates were granted scholarships under a new program initiated by the Ganduje-Hafiz administration. Unlike us, their fees and stipends were to be paid in instalments. Unfortunately, they faced numerous challenges, including delayed monthly stipends, despite their dedication to bringing pride to their parents and Kano State through hard work.

They comprise individuals holding PhDs (11 males and 1 female) and an MSc (1 female), alongside 47 undergraduates in Medicine (29 females and 5 males), Nursing (8 females and 2 males), Pharmacy (2 females), and Dentistry (1 female). In summary, there are 47 undergraduates and 13 postgraduates. These students showcased exceptional brilliance, making significant strides in their respective fields of study. Notable among them is Dr. Sani Isah Abba, the top PhD graduate in 2020, a distinguished researcher, and among the top 2% of world researchers in Artificial Intelligence. Assistant Professor Abdullahi Garba Usman stands out as the first postdoctoral scholar at Near East University, honoured with the Young Scholar Award, boasting over 800 citations.

Moreover, a married couple, Drs Auwalu Saleh Mubarak and Zubaida Said Ameen, received recognition from Near East University for two years in a row for their remarkable contributions to Biomedical Engineering research, accumulating hundreds of citations under their belts. Dr Rabiu Aliyu Abdulkadir is notable for having amassed more than 500 citations. At the same time, Dr. Abdulmalik Ahmad Lawan specialises in utilising technology for assessing autism spectrum disorder, and Dr. Umar Aliyu Shuaibu excels as an expert in assessing economic policy.

Similarly, the top three graduating medical students were Dr Ismail Adnan, securing the first position; Dr. Khadija Yusuf, ranking second; and Dr. Amina Aliyu Sambo, claiming the third spot. Likewise, Aliyu Nuhu Salihu distinguished himself as the top graduate in Nursing.

Despite these achievements, the Kano State government has not settled their tuition fees, stipends, and airfare for their return home. They were compelled to arrange their own means to travel back home. Near East University has withheld their certificates since 2019 due to the outstanding fees, which have escalated from around two hundred million Naira (NGN200,000,000) to approximately eight hundred million (NGN800,000,000) due to the depreciation of the Naira. Any further delay may increase this amount.

I have often pondered the following questions: Could it be because resolving their issues wouldn’t enhance political popularity? Is it because they don’t belong or lack connections to political families? Is it because there’s nothing in it for the government officials? Is it because the government lacks the funds to settle the debt?

I implore the government to act with compassion and understanding to settle this debt and safeguard the future of these bright minds before it becomes irreparable. They have demonstrated unwavering dedication to their education, and they deserve to have their achievements celebrated through the issuance of their certificates. The government should honour its commitment and restore the hope once ignited in these aspiring scholars’ hearts. They deserve the opportunity to reclaim their futures, proudly display their certificates, and embark on the careers they have diligently prepared for. Furthermore, Kano State needs human resources, predominantly female medical doctors in our hospitals and lecturers in our universities.

Sagiru Mati, BSc (BUK, Nigeria), MSc, PhD (NEU, North Cyprus), can be reached via sagirumati@yahoo.com.

By Abdulgaffar Tukur Kalgo

As an aspiring young politician in Nigeria, there are several key lessons you can learn from Dr Rabiu Musa Kwankwaso’s exemplary leadership and political career.

As a leader, you most likely admire the political and leadership influence of Kwankwaso. His rise through the ranks of Kano politics demonstrates how one can gain political influence through vision, hard work, and perseverance.

Kwankwaso began his political career with his election as a Nigerian House of Representatives member at just 26 years old. His rise from humble beginnings to governor of Kano State and Nigeria’s presidential candidate is a valuable lesson for young leaders to learn to build a meaningful political career.

Kwankwaso focused on grassroots development and empowering youth and women, which gained him a reputation as someone who could get things done.

Though his presidential bids were unsuccessful, Kwankwaso’s accomplishments showcase how vision, courage, relationships, and mentorship can shape a leader. He illustrated that a leader can emerge from anywhere through hard work and perseverance. For aspiring leaders, Kwankwaso exemplifies the dedication and skills needed to lead in Nigeria’s complex political landscape. By learning from his experiences, young leaders can work to shape a brighter future for their region.

Key Leadership Qualities of Kwankwaso:

You must cultivate certain vital qualities to become an influential leader like Kwankwaso.

Vision and Purpose

Effective leaders have a clear vision and a sense of purpose that motivates and inspires followers. During his governorship, Kwankwaso envisioned a Kano State that invested in education and infrastructure and worked tirelessly to make that vision a reality. Young leaders should develop their vision for positive change and pursue it with passion and perseverance.

Integrity and Ethics

Leaders build trust through integrity, honesty and ethical behaviour. Kwankwaso was praised for his incorruptibility. Aspiring leaders must demonstrate strong moral principles and lead by example.

Confidence and Decisiveness

While seeking input from others, leaders must ultimately be confident and decisive in their judgment. Kwankwaso pursued his agenda boldly and took action when needed based on the information available. Young leaders should trust their abilities while also accepting responsibility for their decisions.

Communication Skills

Effective communication is essential for motivating and guiding followers. Kwankwaso connected with his people and groups through charismatic and persuasive rhetoric.

To build a meaningful career, you must develop a vision for progress, take risks, make alliances, and empower others.

I think that’s Kwankwaso’s Political Philosophy.

Abdulgaffar Tukur Kalgo wrote via abdulgaffarkalgo@gmail.com.

By Rabi’u Gama

I almost spent a sleepless night reading the Court of Appeal’s judgement on the Kano State Governorship Election Petition. The 72-page document has raised many questions and generated mixed and confusing reactions among millions of people, particularly in Kano, immediately after its release to the public.

After a calm reading of the judgement, it is evident that there is a significant error in the conclusion of the lead judgement. The conclusion of the lead judgement, which “…resolve all the issues in favour of the Appellant (AKY) against the 1st Respondent” and “…set aside the judgement of the Tribunal” and finally “awarded the sum of one million Naira in favour of the Appellant against the 1st Respondent” is just a mistake; a grave mistake, though, in my opinion, not fatal or unpardonable.

If you read the judgement carefully, you will see that the reasoning of the court on the merit of the case was decisively against the Appellant (AKY) in favor of the 1st Respondent (Gawuna). The only error – a very grievous error – is with regard to the conclusion of the lead judgment. This becomes more obvious when you look at the fact that all the two concurring judgements found the appeal to be “bereft of merit” and also (just like the lead judgement) “…dismissed it and upheld the judgement of the Trial Tribunal”.

From the reasoning of the Court, that conclusion is just what it is: a slip of the pencil or a clerical error – so to speak – which can be, in fact, should be, waived aside with a single nod of the head. That mistake alone cannot reasonably change the preceding reasonings and findings of the court. The error is grave. Or was it a Freudian Slip? By the way, a Freudian Slip is an unintentional mistake that reveals a person’s subconscious thoughts, wishes, or desires.

Therefore, in my humble opinion, AKY lost this appeal. The mistake in the lead judgement’s conclusion (a slip of the pencil) will not change a thing. AKY should head to the Supreme Court, as he has already expressed his intention to do so. A clerical error like this should not deter a further appeal to the Apex Court of the land. Otherwise, there will be stories that will surely break and destroy many hearts.

However, there are many questions: how could such a serious mistake go unnoticed? Didn’t my Lord re-read the judgement after drafting it for grammatical corrections and possible typographical errors? In their concurring judgements, the two other Justices on the panel said: “They have read the lead judgement in draft (as it is customary for fellow judges to do) and adopted all the reasonings and the conclusion therein as theirs?”. Does that mean they, too, did not see that serious mistake while “reading the judgement in [the] draft”? What about the Registrar of the Court? Didn’t he also see the mistake before releasing the Certified Copy of the judgment to the world? So many questions to ask.

Rabiu Gama is a student from the Faculty of Law at Bayero University, Kano. He can be reached via rabiuminuwa327@gmail.com.