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Indomitable Lions’ AFCON preparations descend into chaos

By Muhammad Abubakar

Cameroon’s upcoming Africa Cup of Nations (AFCON) campaign is in turmoil due to a major power struggle between FECAFOOT President Samuel Eto’o and head coach Marc Brys, who remains under contract until 2026. Eto’o unilaterally declared Brys’s role was over.

The dispute has resulted in two rival 28-man AFCON squads.

Eto’o’s faction released a list naming David Pagou as coach and controversially omitted stars Andre Onana, Eric Choupo-Moting, and captain Vincent Aboubakar. Reports suggest Aboubakar was dropped to protect Eto’o’s national scoring record.

Coach Brys responded with his own squad announcement, restoring the high-profile players and questioning the team’s ability to compete in Morocco without them. This internal conflict severely undermines the Indomitable Lions’ preparations.

Rector Cares Foundation wins Top Climate Award at AFFIF 2025

By Hadiza Abdulkadir

Rector Cares Foundation’s documentary “Dying for Water” has won the Award of Excellence for Best Film on Climate Change at the Africa Film for Impact Festival (AFFIF) 2025, earning widespread recognition for its powerful portrayal of water poverty in rural Nigeria. 

Screened at the festival’s 4th edition, held from October 29–31 at Silverbird Cinemas, Yar’Adua Centre in Abuja, the film tells the story of Fatsuma, a mother grieving the loss of her child who drowned in an unsafe community well, and highlights the daily struggles faced by women and children relying on hazardous water sources. 

Founder and executive producer Onyedikachi Erete described the honour as a validation of the Foundation’s mission. “This victory validates our mission to ignite conversations about water poverty and the crucial role of WASH in fostering sustainable development,” he said. 

Directed by Omoregie Osakpolor and co-produced by Stephanie Ohumu, the documentary forms part of Rector Cares Foundation’s ongoing efforts to raise awareness of climate-driven water crises and strengthen collaborations with organisations working in water provision and technology. 

Salah calls out double standards in media coverage

By Muhammad Abubakar

Liverpool star Mohamed Salah has ignited fresh debate over media bias in football after highlighting what he sees as unequal treatment between himself and fellow striker Harry Kane. 

Speaking in a recent interview, Salah recalled a past spell when Kane went 10 matches without scoring, yet continued to receive strong backing from commentators.

According to Salah, the tone was markedly different when he experienced similar difficulties. “The media were like: ‘Oh, Harry will score for sure.’ When it comes to Mo, everyone is like: ‘He needs to be on the bench,’” he said. The Egyptian forward stressed that his point was not a personal jab at Kane, adding humorously, “I am sorry, Harry!”

Salah’s comments quickly circulated on social media, garnering millions of views and sparking widespread discussion. Analysts and supporters have since weighed in, with many arguing that the incident reflects broader inconsistencies in how players from different backgrounds are portrayed in mainstream football coverage.

The episode has added a new layer to ongoing conversations about fairness, perception, and representation in global sport, especially in Europe.

1-1 draw against Girona: Real Madrid still confident in Alonso

By Ibrahim Yunusa

After their draw with Girona and losing the top spot in the La Liga standings, once again Real Madrid players are facing heavy criticism, and the rumors about Xabi Alonso’s departure are heating up.

Real Madrid drew 1-1 with Girona away from home on Sunday night.

This marks the third draw for the club in the La Liga season, and it’s the first time since 2019 that such a result has occurred.

Following the draw, the Spanish newspaper AS stated: “Most Real Madrid players are performing below their usual level. In their last three away matches, they have failed to maintain the confidence that Alonso built at the start of the season, and it’s as if that momentum has been lost.”

Due to the team’s poor performance and results, many recent rumors have emerged regarding the possibility of Xabi Alonso’s departure.

However, Spanish journalist Félix Díaz stated, “Xabi Alonso still has confidence within the Real Madrid management. While patience with the coach is needed, unity is also essential to get things back on track, especially now that doubts are rising and they have lost the lead in the standings.”

Real Madrid will resume training and preparations this afternoon, and on Wednesday, they will face Athletic Bilbao in an away match.

Boluwatife Balogun: The rise of a young artiste

By Nazirah Muhammed,

Before the first note of his debut single, My Time, hit any speaker, Boluwatife Balogun lived in a world deliberately shielded from the glare of celebrity, a rare reality for the firstborn son of Afrobeats icon Ayodeji Ibrahim Balogun, popularly known as Wizkid. To understand his entry into music, you must first appreciate the calm, structured upbringing that shaped him.

Born in 2011, the same year Wizkid’s Superstar album launched him into global recognition, Boluwatife arrived at a moment that reshaped his father’s life. Unlike the public drama that often surrounds celebrity births, his early years were quietly protected. His mother, Shola Ogudu, Wizkid’s former partner and one-time manager, built a bubble of normalcy around him, ensuring that despite his father’s fame, his childhood remained grounded.

Privacy defined Boluwatife’s early life. While fans saw only occasional birthday photos or short videos, Bolu lived what many would consider a normal Lagos childhood. He attended regular schools, played basketball, hung out with friends, and focused on his education. Photos shared over the years showed a cheerful, well-adjusted boy enjoying vacations, milestones, and hobbies far from the spotlight. It was a deliberate effort to let him grow into himself, not into the expectations attached to his surname.

As he got older, one truth became impossible to ignore: Boluwatife is the spitting image of his father. From his eyes to his smile and lean frame, the resemblance earned him the nickname “Wizkid’s twin” among fans. And while Wizkid rarely posts about his children, the love is unmistakable. In a 2020 birthday message, he called Bolu his “twin” and expressed heartfelt affection, a glimpse into a quiet but strong father-son bond.

But beyond the looks, Boluwatife was absorbing another inheritance: music. Growing up around one of the most successful African musicians meant witnessing the creative process up close. The first public hint of his musical journey came in 2023, when his mother shared a video that quickly went viral. It didn’t just show a teenager singing along; it showed Boluwatife in a home studio, headphones on, confidently recording original material.

That clip changed everything. His voice, youthful but melodic and steady, revealed a natural ease with music. It was the moment “Boluwatife the artiste” shifted from speculation to reality.

My Time didn’t appear out of nowhere. It is the product of years spent watching, listening, learning, and quietly preparing. The same boy who hustled on the basketball court and completed assignments is now stepping into the booth with intention. His sheltered upbringing gave him self-awareness; his environment gave him artistry.

His debut marks not just a career launch but the beginning of a new chapter for a young man raised with care, balance, and an understanding of the legacy he represents. The world may just be hearing him now, but Boluwatife Balogun has been getting ready all along.

Nazirah Muhammed is an intern with PRNigeria. She can be reached at nazirahmuhammed01@gmail.com.

Bashir Ahmad faults The Herd for “dangerous” stereotyping of Fulani herders

By Muhammad Abubakar

Former presidential aide Bashir Ahmad has criticised the newly released Netflix film The Herd, arguing that it reinforces harmful stereotypes about Fulani herders and the wider Arewa region. In a post shared on social media, Ahmad said the problem is not the film’s focus on banditry, which he acknowledged is a tragic reality, but its “dangerously inaccurate” portrayal of an entire ethnic group.

Ahmad pointed to a scene in the movie’s teaser in which herders suddenly pull out guns and abduct travellers, describing it as a misleading depiction that paints all Fulani herders as violent criminals. He stressed that while some bandits are indeed Fulani, the vast majority are innocent and among the worst affected by insecurity, having lost their cattle, livelihoods and loved ones.

He warned that such portrayals in international films risk shaping global perceptions in damaging ways, fuelling suspicion and discrimination against innocent people. “That is how stigma is created,” he said, noting that millions of viewers may come to believe that every Fulani herder is a terrorist.

Ahmad faulted the filmmakers for failing to conduct adequate research or engage stakeholders, security experts, victims and pastoralist groups before tackling such a sensitive national issue. He also suggested that the Nigerian Film Corporation, led by Ali Nuhu, should have provided better guidance to avoid what he described as “damaging portrayals.”

He concluded by calling for responsible storytelling that condemns criminals without casting “a shadow of suspicion over millions of innocent herders,” warning that Nigeria’s fragile security situation should not be worsened by divisive media content.

Mainz lose court appeal over Anwar El Ghazi’s dismissal

By Maryam Ahmad

Bundesliga club Mainz 05 have lost their appeal against the unfair dismissal ruling in favour of Dutch winger Anwar El Ghazi, who has been awarded €1.7 million in compensation.

A German labour court had earlier found that the club acted unlawfully when it terminated El Ghazi’s contract in November 2023 following social-media posts he made during the Gaza–Israel crisis. The arbitration panel upheld that decision, rejecting Mainz’s argument that the posts constituted grounds for immediate dismissal.

In a statement, Mainz said it accepted the ruling but stressed its commitment to maintaining its internal code of conduct. El Ghazi welcomed the outcome, describing it as a vindication of his right to express his views.

Nigerian Film Corporation, Plateau Gov’t to deepen partnership in film development

By Hadiza Abdulkadir

The Managing Director of the Nigerian Film Corporation (NFC), Ali Nuhu, has met with the Executive Governor of Plateau State, His Excellency Caleb Manasseh Mutfwang, to discuss strengthening collaboration between the Corporation and the state government.

During the meeting in Jos, the Plateau State capital where the NFC is headquartered, both parties explored ways to expand their long-standing partnership in promoting film production, nurturing local talents, and positioning Plateau as a central hub for Nigerian and African cinema.

Ali Nuhu noted that the discussion centered on the shared belief in the power of storytelling to shape perception, promote unity, and drive development. He emphasized that Plateau State, with its stunning landscapes and rich cultural heritage, has long been a home for some of Nigeria’s most compelling stories.

“Our goal,” he said, “is to ensure that those stories are not only told but also seen, heard, and celebrated across the world.”

Ballon d’Or and the credibility question

By Amir Abdulazeez

I am writing on this not because I have any significant concern for the award or its credibility, or because it has any correlation with the well-being of anybody in need (which I am often more concerned about). I am doing so instead due to the massive perennial debate it generates, especially among youths in Nigeria, as well as the misinformed opinions surrounding it. 

Again, the Ballon d’Or, like football itself, has transcended sport to become part of international politics and history. I became shocked when I saw a globally renowned Muslim scholar congratulating Ousmane Dembele for winning the 2025 version and hailing its award to a ‘practising Muslim’. Obviously, the crown now carries political significance that stretches well beyond the pitch. 

Since its inception in 1956, the Ballon d’Or has been regarded as football’s most prestigious individual award. Founded by France Football (conceived by sports writers Gabriel Hanot and Jacques Ferran), the award was initially designed to honour the best European player annually, with Stanley Matthews of Blackpool becoming the pioneer winner. Later, it evolved into a global prize, celebrating many other icons. Many have rightly questioned the credibility of the award, but mostly on myopic grounds centred around player and club sentiments. However, as a long-time football observer, I believe there are much broader issues regarding the credibility of the award that are worth discussing. 

Let us start with the politics. During the Cold War (1947-1991), Eastern European players (more aligned to the Soviet Union) often struggled to receive equal recognition despite dazzling performances, while Western European stars (more aligned to the United States and friends) enjoyed more favourable media attention. Although Russian goalkeeper Lev Yashin won the award in 1963, many argue that his case was only the exception that proved the unwritten rule of ‘politics, geography, and media exposure consistently play decisive roles’. Today, the award continues to reflect broader inequalities in the sport of football. European clubs dominate global coverage, which inflates the recognition of their stars. Players performing in less visible leagues, whether in South America, Africa, or Asia, rarely receive consideration, even if their contributions are extraordinary. 

Another concern is the award’s inconsistent eligibility rules over time. Until 1995, only European players competing in European clubs were considered, excluding legendary figures such as Pelé and Diego Maradona from even receiving a nomination. It was only after a rule change that non-Europeans in European leagues became eligible, allowing George Weah to win in 1995. Yet, by then, the award had already excluded decades of worthy non-European and non-European-based winners. Mild allegations of racism also cast a dark shadow over the award. Many believe players like Didier Drogba, Samuel Eto’o, Yaya Touré, Sadio Mané and Mohammed Salah were routinely ranked below their pedigree. In 2021, French pundit Emmanuel Petit openly questioned whether African players were judged by double standards. 

The selection of voters itself raises concerns. Initially restricted to journalists, it later expanded between 2010 and 2015 after a merger with FIFA’s “World Player of the Year,” adding coaches and captains to the electorate whose votes often reflected tribal, national or club loyalties rather than merit. The 2016 reversion to journalist-only voting may be a tacit admission of voting flaws, thereby creating difficulties in making comparisons across eras. For example, Lionel Messi’s consecutive wins (2009-2013) under a global, mixed electorate cannot be objectively compared to Michel Platini’s (1983-1985) under a European-only jury. The current co-organisation with UEFA, which began in 2024, signifies another attempt to lend the award more institutional weight. However, the constant changes in its format and governing alliances suggest an award in search of a stable identity, struggling to balance its commercial ambitions with its original purpose.

Bias towards attacking players has been an emerging hallmark of Ballon d’Or selections. Legendary defenders like Paolo Maldini, Alessandro Nesta, Sergio Ramos and Roberto Carlos, who defined an era of defensive excellence, always fell short. The exception of Fabio Cannavaro in 2006, along with a few others in the past, after a World Cup-winning campaign with Italy, serves as a testament to the rarity of a defender being recognised. 

More recently, Virgil van Dijk’s 2019 narrow runner-up finish sparked debate about whether non-attacking players could ever realistically win in a sport increasingly obsessed with goals and flair. The award relies heavily on football journalists who often prioritise goal highlight reels, statistics and global recognition over tactical nuance and defensive brilliance. Strikers and playmakers dominate the headlines that directly feed into voting behaviour. 

To combat positional bias, a more revolutionary approach could be implemented: nomination by quota. Why not have separate shortlists and voting panels for goalkeepers, defenders, midfielders and forwards? The top three or five of these categories could then be considered for the overall voting and eventual award. This would ensure that the unique skills of each position are evaluated by those who best understand them, guaranteeing that players are judged on their specialisations rather than against others with contrasting roles. 

The criteria for judgment also lack clarity and consistency. Officially, the award considers individual performance, team achievements, talent, fair play and career consistency. In practice, however, voters often seem swayed by a single outstanding tournament or by sentimental narratives. Luka Modrić’s 2018 victory after Croatia’s World Cup run exemplified this. While Modrić was superb, critics argued that other players had stronger year-round performances, but the emotional weight of Croatia’s fairy tale run tilted the scales. But how come this same emotion did not sway voters to select any player from Leicester City’s 2016 Premier League incredible winning team? A pervasive, though often unstated, criterion for many voters is team success. 

To win the Champions League or a major international tournament has become almost a prerequisite for contention. This creates an inherent unfairness, elevating players in dominant teams while punishing extraordinary individuals in less successful sides. This inconsistency reveals a fundamental confusion: is the award for the “best player,” “most popular player,” or the “most successful player”?

The timing and calendar controversies are another issue. International tournaments occur every two years, creating periods where national team success heavily influences voting. World Cup years traditionally favour tournament winners, regardless of club form. The recent calendar change, from July to August, aimed to address this imbalance but created new problems, with voters now contending with assessing performances from overlapping seasons and tournaments. This temporal confusion affects not just voting patterns but also the public’s understanding of what the award represents: is it recognition for calendar year performance, season achievement, or tournament success? The 2013 Ballon d’Or win by Cristiano Ronaldo was criticised following timing inconsistencies due to odd deadline extensions. The current system, which allows a player to win a major tournament in the summer and have their performance rewarded a year later, creates a disjointed narrative. 

The question of authority is another big one. FIFA represents 211 national associations, UEFA oversees European football’s institutional framework, yet it is a private French publication that bestows football’s most prestigious individual honour. The comparison with FIFA’s The Best awards and UEFA’s Player of the Year exposes this imbalance. This raises the paradox: why should a magazine possess such outsized influence in determining football’s most prestigious individual accolade, overshadowing awards backed by governing institutions? While there is nothing fundamentally wrong with this, it only emphasises the need for France Football to show more responsibility by sanitising and standardising its award.

I am not in a position to coach France Football on how to reform its awards to minimise the credibility dilemma; they have much better experts who can do that. My concern is to see young football followers and analysts become more informed and equipped for deeper debates that are beyond sentiments. My other concern, which has little to do with the Ballon d’Or, is to see football giving a little back to its estimated 3.5 billion fans that have made it powerful. While fans give it a lot, the sport appears to be offering almost nothing significant in return. 

It is sad to see football remaining silent, biased and indifferent in the face of global oppression and injustice. While it took FIFA and UEFA just four days to suspend Russia after it invaded Ukraine in 2022, both bodies have remained criminally silent for over two years since Israel launched its genocide on the football supporting people of Palestine.

Amir Abdulazeez, PhD, can be reached via abdulazeezamir@hotmail.com.

Eric Cantona calls for UEFA and FIFA to ban Israel as Spain proposes a World Cup boycott

By Muhammad Abubakar

Former Manchester United legend Eric Cantona has called on football’s governing bodies, UEFA and FIFA, to impose an immediate ban on Israel over its ongoing military actions in Gaza. Cantona, known for his outspoken views, said football cannot remain silent while civilians continue to suffer.

His statement comes amid growing international pressure on Israel, with Spain reportedly considering a boycott of the upcoming World Cup should the situation persist. 

Spanish officials have hinted that participation in global tournaments could be reconsidered if FIFA does not take more decisive action.

The calls echo previous instances where sporting sanctions were used as leverage against states accused of human rights violations, most notably the bans imposed on apartheid-era South Africa and, more recently, Russia following its invasion of Ukraine.

Neither UEFA nor FIFA has officially responded to Cantona’s demand or Spain’s potential boycott threat, but the developments add further weight to the debate over the role of football in addressing global conflicts.