By Dr Abubakar Bello
The recent controversy over an alleged honorary doctorate awarded to musician Alhaji Dauda Kahutu Rarara has sparked debate across northern Nigeria. Initially, reports indicated that the European-American University conferred an honorary doctorate on him in Abuja. However, days later, the institution publicly denied endorsing such an award, describing the event as fraudulent.
This is not the first time Rarara’s name has been caught in institutional back-and-forth. At one point, the Federal University Dutsin-Ma (FUDMA) was said to be planning a conference to celebrate his contributions to music and politics. Yet the university later backtracked, insisting the information was fake. The recurring pattern suggests not a lack of merit on Rarara’s part, but rather institutional hesitation in dealing with a figure whose art, political songs, and social influence are both celebrated and contested.
There is clear precedent for cultural icons receiving academic recognition. The late Mamman Shata, perhaps the most revered Hausa musician of the 20th century, was formally honoured by Ahmadu Bello University, Zaria. That recognition secured his place not only in the cultural memory of the Hausa people but also in academic history. By that measure, Rarara too will, sooner or later, be recognised by universities both within Nigeria and abroad for his cultural and political contributions. The real question is: which university will take the initiative?
Across Nigeria, universities have rightly celebrated industrialists, politicians, and philanthropists with honorary degrees, sometimes even surprising their own local institutions, as happened when other universities honoured Katsina’s business mogul, Alhaji Dahiru Mangal, taking Umaru Musa Yar’adua University, his home-state university, by surprise. Yet cultural figures, especially musicians whose work captures the pulse of society, are too often overlooked until history forces recognition.
This is an opportunity for Nigerian universities to redefine what they celebrate. Honorary degrees are not just ceremonial gestures. They are statements of value, affirmations that music, political commentary, and popular culture are as vital to society as commerce and politics.
Whether in Katsina or beyond, Nigerian universities have the opportunity to lead by recognising Rarara. Doing so would not only honour one man but also promote the significance of indigenous music and political expression in our collective intellectual and cultural heritage. The controversy over fake awards should not overshadow this larger truth: Rarara’s contributions are genuine, and he deserves formal recognition.
Dr Abubakar Bello wrote from the Department of Biological Sciences, Umaru Musa Yar’adua University, Katsina. He can be reached via bello.abubakar@umyu.edu.ng.