The ‘Taskar Kannywood’ is a YouTube show that seeks to revive the glory of feature films that has been long abandoned since the emergence of web and TV serials. The show runs every Sunday, unveiling fresh standalone movies in a one-episode-per-week order, followed by a review and Q & A sessions to further engage the audience for criticism and opinions. The 7th episode, Da Na Sani, is the collection’s latest and most hyped release.
The film tells the story of a rather humourless and unromantic man (Mansur) married to a young girl (Samira) in her late teens. Samira would always act reminiscent of what we fondly call ‘Kwailanci’ (excessive childishness), which she believes to be her love language to express her romance, a gesture her husband finds too awkward and a clear affront to his dignity.
The biggest drama erupts when she draws a heart emoji with the caption “I love you” on his face while he is asleep and asks if he is ready so she can colour the drawings for a better look. Enraged, he gives her a few slaps and a stark warning about her childish manners, leaving her in tears as he heads back to the bathroom to clean up before leaving for work.
Moments later, after getting housework done, she develops severe chest pain, prompting her to be rushed to a hospital. But she abruptly dies after a brief diagnosis.
Returning home, Mansur finds a note she had dropped containing an apology for her wrongs, promising to change her manners if she made it back alive, plus a reminder that the meal she prepared for him and a visiting friend is already at the dining table. He screams out loud with tears running down his cheeks as he scatters the ice cream and candies he brought as a consolation package, realising the tragedy could have been avoided if he had tolerated her innocent frivolity.
Filled with emotional moments, the movie is ultimately compelling not only for its beautifully crafted drama but also for exposing the gap of misunderstanding between partners and the little effort it takes to fill it. The film is indeed a huge success and well worth watching.
Additionally, the production quality is top-notch, and both Aminu Shareef Momo (Mansur) and Amina Shehu Lulu (Samira) have delivered exceptionally well, thanks to Ahmad Bifa’s directorial expertise in handling family sagas.
However, the running time is relatively short for such a tragic story. The audience would have wanted a longer time frame to see the emotional trauma Mansur would supposedly go through as relief for the painful death of their favourite character, Samira. I rate it 4/5.
Reviewed by
Umar Abdullahi
Kano
umarabdullahiabu@gmail.com