Company: Blackville Media
Director: Prince Daniel (Aboki)
Producers: Aliyu Ahmad, Egor Efiok, Bature Zambuk, Shehu Bala Kabara
Language: Hausa
Cast: Adam A. Zango, Ghali Abdallah DZ, Auwalu Isma’il Marshall, Fatima Muhammad, Maryam Usman Shuaibu, Mukhtar Aminu etc.
Release date (Nigeria): 19-7-2024
It’s no longer news that TV series have recently dominated the Kannywood filmmaking sphere. However, Prince Daniel Aboki produced an epic period film titled Mai Martaba in a bold move to revitalize the film industry. The film, roughly based on the popular Arewa Radio drama series Kasar Jallaba, has generated immense excitement among fans eager to see the gripping story come alive on screen.
Made on a sweeping budget of over ₦125 million, Mai Martaba surpassed Nanjala (which had a budget of over ₦65 million) to become Kannywood’s most expensive production. But does it justify this substantial investment? I watched it on Sunday, and here is my review.
Mai Martaba is an exciting tale of a succession struggle among competing claimants for the throne of the Jallaba kingdom. The storyline unfolds through an omniscient narrator, beginning with a few flashbacks of the kingdom under the previous reign of the Agadashawa dynasty. Now occupied by the Jallabawa clan, a sacred decree secures the throne.
Before death, each king must name a successor from within the clan, ensuring the Agadashawas would never return to power. King Mu’azu honoured this legacy by naming Sanaya (Auwal Ismail Marshall) his heir, with a written agreement that Sanaya would one day pass the crown to Mu’azu’s son, Magajin Gari (Ghali Abdallah DZ). But Sanaya breaches the agreement and crowns his daughter, Princess Sangaya (Fatima Muhammad), as his successor, setting the stage for an intense power struggle.
Will Magajin Gari reclaim his birthright? Who is the other claimant to the throne? Can a female monarch win over the hearts of the Jallaba people? Find out in the cinemas.
The movie is generally captivating. However, with a short runtime of less than 90 minutes, the screenplay fails to do complete justice to the compelling story. It features little action scenes and ends quickly when it is supposed to be at its climax. For instance, there is a brave bandit kingpin, Shugaba (Adam A. Zango), whose brother was killed in the kingdom. He is in alliance with Magajin Gari. Driven by revenge, the two could have been shown in a fierce battle against the Jallaba kingdom, adding a dramatic action sequence to the film.
Also, as an adaptation of the Kasar Jallaba radio serial, apart from the setting and select character names, Mai Martaba shares minimal similarity with the original sourcing material. It’s somewhat like the American TV series House of the Dragons, where King Viserys appointed his female child, Princess Rhaenyra, as heir to the throne. The theme of ‘succession war’ is also prominent in many other local and international movies.
However, Mai Martaba remains a satisfactory period drama, boasting a spectacular setting and near-authentic period costumes. It may not be the most engaging Kannywood epic, but it could be the best in general production quality. Its exceptional cinematography and technical excellence is a breakthrough in the Hausa film industry. I salute the director, executive producer, and all other crew members.
The cast should also not be forgotten. Though it consists of new actors, they deliver impressive performances with good dialogue rendition. Ghali Abdallah DZ stands out as the ambitious Magajin Gari, plotting political machinations to get the throne. As Princess Sangaya, Fatima Muhammad was not given much scope but showed confidence in every scene she featured. Adam A. Zango (Shugaba) and Auwal Ismail Marshall (Sarki Sanaya) also deliver solid performances, fitting their roles perfectly.
Overall, Mai Martaba sets a benchmark for cinematic excellence in the Kannywood film industry. It’s a lavish epic film that justifies its hefty price tag. I strongly recommend it. Rating: 3.5/5.
Habibu Maaruf Abdu wrote from Kano. He can be reached via habibumaaruf11@gmail.com.